| The first excerpt represents the past or something you must release, and is drawn from Damaged Goods by Upton Sinclair: sunk deep into George's heart; he had made up his mind that
whatever his friends might do, he, for one, would protect
himself.
That did not mean, of course, that he intended to live a virtuous
life; such was the custom among young men of his class, not had
it probably ever occurred to his father that it was possible for
a young man to do such a thing. The French have a phrase,
"l'homme moyen sensuel"--the average sensual man. And George was
such a man. He had no noble idealisms, no particular reverence
for women. The basis of his attitude was a purely selfish one;
he wanted to enjoy himself, and at the same time to keep out of
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Wheels of Chance by H. G. Wells: the screw hammer, behind in the wallet, rattling against the oil
can. He passed, without misadventure, a fruiterer's van and a
sluggish cartload of bricks. And in Kingston Hoopdriver, with the
most exquisite sensations, saw the shutters half removed from a
draper's shop, and two yawning youths, in dusty old black jackets
and with dirty white comforters about their necks, clearing up
the planks and boxes and wrappers in the window, preparatory to
dressing it out. Even so had Hoopdriver been on the previous day.
But now, was he not a bloomin' Dook, palpably in the sight of
common men? Then round the corner to the right--bell banged
furiously--and so along the road to Surbiton.
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The third excerpt represents the future or something you must embrace, and is drawn from A Pair of Blue Eyes by Thomas Hardy: 'Why, my dear Miss Swancourt,' he tenderly replied, 'I have not
said anything against it. But you know what is said about
handsome being and handsome doing.'
'Poor Miss Handsome-does cuts but a sorry figure beside Miss
Handsome-is in every man's eyes, your own not excepted, Mr.
Knight, though it pleases you to throw off so,' said Elfride
saucily. And lowering her voice: 'You ought not to have taken so
much trouble to save me from falling over the cliff, for you don't
think mine a life worth much trouble evidently.'
'Perhaps you think mine was not worth yours.'
'It was worth anybody's!'
 A Pair of Blue Eyes |