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Today's Stichomancy for OJ Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lucile by Owen Meredith:

She lifted one moment her head; but her look Encounter'd the ardent regard of the Duke, And dropp'd back on her flowret abash'd. Then, still seeking The assurance she fancied she show'd him by speaking, She conceived herself safe in adopting again The theme she should most have avoided just then.

XXI.

"Duke," she said, . . . and she felt, as she spoke, her cheek burn'd, "You know, then, this . . . lady?" "Too well!" he return'd.

MATILDA.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale:

My spirit's shaken flame, The shape of hands, the beat of heart, The letters of my name.

But it was my lovers, And not my sleeping sires, Who gave the flame its changeful And iridescent fires;

As the driftwood burning Learned its jewelled blaze From the sea's blue splendor Of colored nights and days.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

La Tremouille and Regnault de Chartres, that we must lay part of the blame for this wicked negligence. But it is also probable that the King, and especially his clerical advisers, were at times almost disposed to acquiesce in the theory of Jeanne's witchcraft. Admire her as they might, they could not help feeling that in her whole behaviour there was something uncanny; and, after having reaped the benefits of her assistance, they were content to let her shift for herself. This affords the clew to the King's inconsistencies. It may be thought sufficient to explain the fact that Jeanne is said to have received public testimonials at Orleans, while we have no reason to suppose that


The Unseen World and Other Essays
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beast in the Jungle by Henry James:

time and distance, his one witness of a past glory. It was all that was left to him for proof or pride, yet the past glories of Pharaohs were nothing to him as he thought of it. Small wonder then that he came back to it on the morrow of his return. He was drawn there this time as irresistibly as the other, yet with a confidence, almost, that was doubtless the effect of the many months that had elapsed. He had lived, in spite of himself, into his change of feeling, and in wandering over the earth had wandered, as might be said, from the circumference to the centre of his desert. He had settled to his safety and accepted perforce his extinction; figuring to himself, with some colour, in the likeness