Today's Stichomancy for OJ Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Black Beauty by Anna Sewell:

done away with, and in our parts you seldom saw them; and sometimes, if mistress met a heavily laden horse with his head strained up she would stop the carriage and get out, and reason with the driver in her sweet serious voice, and try to show him how foolish and cruel it was.

I don't think any man could withstand our mistress. I wish all ladies were like her. Our master, too, used to come down very heavy sometimes. I remember he was riding me toward home one morning when we saw a powerful man driving toward us in a light pony chaise, with a beautiful little bay pony, with slender legs and a high-bred sensitive head and face. Just as he came to the park gates the little thing turned toward them; the man, without word or warning,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Psychology of Revolution by Gustave le Bon:

evolution is, therefore, far more appropriate than revolution.

The various elements we have enumerated as entering into the genesis of the majority of revolutions will not suffice to classify them. Considering only the designed object, we will divide them into scientific revolutions, political revolutions, and religious revolutions.

2. Scientific Revolutions.

Scientific revolutions are by far the most important. Although they attract but little attention, they are often fraught with remote consequences, such as are not engendered by political revolutions. We will therefore put them first, although we

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Wyoming by William MacLeod Raine:

"No more, ma'am--not recently."

"Well, three is quite enough--recently," she mimicked. "You seem to me a good deal of a desperado."

"Yes, ma'am."

"Don't say 'Yes, ma'am,' like that, as if it didn't matter in the least whether you are or not," she ordered.

"No, ma'am."

"Oh!" She broke off with a gesture of impatience at his burlesque of obedience. "You know what I mean--that you ought to deny it; ought to be furious at me for suggesting it."

"Ought I?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Woman of No Importance by Oscar Wilde:

it. One feels your mother's good influence in everything she has about her, Gerald.

MRS. ALLONBY. Lord Illingworth says that all influence is bad, but that a good influence is the worst in the world.

LADY HUNSTANTON. When Lord Illingworth knows Mrs. Arbuthnot better he will change his mind. I must certainly bring him here.

MRS. ALLONBY. I should like to see Lord Illingworth in a happy English home.

LADY HUNSTANTON. It would do him a great deal of good, dear. Most women in London, nowadays, seem to furnish their rooms with nothing but orchids, foreigners, and French novels. But here we have the