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Today's Stichomancy for Oliver Stone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

Advocate's mausoleum and challenge him to appear. 'Bluidy Mackingie, come oot if ye dar'!' sang the fool- hardy urchins. But Sir George had other affairs on hand; and the author of an essay on toleration continues to sleep peacefully among the many whom he so intolerantly helped to slay.

For this INFELIX CAMPUS, as it is dubbed in one of its own inscriptions - an inscription over which Dr. Johnson passed a critical eye - is in many ways sacred to the memory of the men whom Mackenzie persecuted. It was here, on the flat tombstones, that the Covenant was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ion by Plato:

you speak of Homer without any art or knowledge. If you were able to speak of him by rules of art, you would have been able to speak of all other poets; for poetry is a whole.

ION: Yes.

SOCRATES: And when any one acquires any other art as a whole, the same may be said of them. Would you like me to explain my meaning, Ion?

ION: Yes, indeed, Socrates; I very much wish that you would: for I love to hear you wise men talk.

SOCRATES: O that we were wise, Ion, and that you could truly call us so; but you rhapsodes and actors, and the poets whose verses you sing, are wise; whereas I am a common man, who only speak the truth. For consider

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Village Rector by Honore de Balzac:

with benches, was lighted by four arched windows with leaded panes. The altar, shaped like a tomb, was adorned by a large crucifix placed above a tabernacle in walnut with a few gilt mouldings, kept clean and shining, eight candlesticks economically made of wood painted white, and two china vases filled with artificial flowers such as the drudge of a money-changer would have despised, but with which God was satisfied.

The sanctuary lamp was a night-wick placed in an old holy-water basin of plated copper hanging by silken cords, the spoil of some demolished chateau. The baptismal fonts were of wood; so were the pulpit and a sort of cage provided for the church-wardens, the patricians of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Falk by Joseph Conrad:

ful of his chits for meals and drinks in my drawer. I could never find out tho' where he found all the money at last. Can't be but he must have got some- thing out of that brother of his, a coal merchant in Port Said. Anyhow he paid everybody before he left, but the girl nearly broke her heart. Disap- pointment, of course, and at her age, don't you know. . . . Mrs. Schomberg here was very friendly with her, and she could tell you. Awful despair. Fainting fits. It was a scandal. A notorious scan- dal. To that extent that old Mr. Siegers--not


Falk