| The first excerpt represents the past or something you must release, and is drawn from Vendetta by Honore de Balzac: hell; his repressed and concentrated rage knew no longer any bounds as
the calm and fluted voice of the little notary uttered the words:
"permit me." By a sudden movement he sprang to a dagger that was
hanging to a nail above the fireplace, and rushed toward his daughter.
The younger of the two notaries and one of the witnesses threw
themselves before Ginevra; but Piombo knocked them violently down, his
face on fire, and his eyes casting flames more terrifying than the
glitter of the dagger. When Ginevra saw him approach her she looked at
him with an air of triumph, and advancing slowly, knelt down. "No, no!
I cannot!" he cried, flinging away the weapon, which buried itself in
the wainscot.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon: than a thin. Again it is important to notice whether the hoofs are
high both before and behind, or flat to the ground; for a high hoof
keeps the "frog,"[6] as it is called, well off the ground; whereas a
low hoof treads equally with the stoutest and softest part of the foot
alike, the gait resembling that of a bandy-legged man.[7] "You may
tell a good foot clearly by the ring," says Simon happily;[8] for the
hollow hoof rings like a cymbal against the solid earth.[9]
[6] Lit. "the swallow."
[7] Al. "a knock-kneed person." See Stonehenge, "The Horse" (ed.
1892), pp. 3, 9.
[8] Or, "and he is right."
On Horsemanship |
The third excerpt represents the future or something you must embrace, and is drawn from The Art of Writing by Robert Louis Stevenson: discovery now!) as over a good joke and pardonable stratagem.
Lying so open is scarce lying, it is true; but one of the
things that we profess to teach our young is a respect for
truth; and I cannot think this piece of education will be
crowned with any great success, so long as some of us
practise and the rest openly approve of public falsehood.
There are two duties incumbent upon any man who enters on the
business of writing: truth to the fact and a good spirit in
the treatment. In every department of literature, though so
low as hardly to deserve the name, truth to the fact is of
importance to the education and comfort of mankind, and so
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