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Today's Stichomancy for Oliver Stone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

Presently Clayton awoke. It was several minutes before he could gather his senses sufficiently to realize where he was, or recall the disaster of the previous night. Finally his bewildered eyes fell upon the girl.

"Jane!" he cried. "Thank God that we are together!"

"Look," said the girl dully, indicating the horizon with an apathetic gesture. "We are all alone."

Clayton scanned the water in every direction.

"Where can they be?" he cried. "They cannot have gone down, for there has been no sea, and they were afloat after the yacht sank--I saw them all."


The Return of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Koran:

him whom, if God pleased, He would feed? ye are only in an obvious error.'

They say, 'When shall this promise come to pass, if ye do tell the truth?' They await but a single noise, that shall seize them as they are contending. And they shall not be able to make a bequest; nor to their people shall they return; but the trumpet shall be blown, and, behold, from their graves unto their Lord shall they slip out!

They shall say, 'O, woe is us! who has raised us up from our sleeping-place? this is what the Merciful promised, and the apostles told the truth!' It shall be but a single noise, and lo! they are all arraigned before us.


The Koran
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Importance of Being Earnest by Oscar Wilde:

. I beg your pardon, Algy, I suppose I shouldn't talk about your own aunt in that way before you.

ALGERNON. My dear boy, I love hearing my relations abused. It is the only thing that makes me put up with them at all. Relations are simply a tedious pack of people, who haven't got the remotest knowledge of how to live, nor the smallest instinct about when to die.

JACK. Oh, that is nonsense!

ALGERNON. It isn't!

JACK. Well, I won't argue about the matter. You always want to argue about things.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Threshold by Sarojini Naidu:

Beauty, the eternal Beauty. 'The makers of gold and the makers of verse,' they are the twin creators that sway the world's secret desire for mystery; and what in my father is the genius of curiosity--the very essence of all scientific genius--in me is the desire for beauty. Do you remember Pater's phrase about Leonardo da Vinci, 'curiosity and the desire of beauty'?"

It was the desire of beauty that made her a poet; her "nerves of delight" were always quivering at the contact of beauty. To those who knew her in England, all the life of the tiny figure seemed to concentrate itself in the eyes; they turned towards beauty as the sunflower turns towards the sun, opening wider and