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Today's Stichomancy for Oliver Stone

The first excerpt represents the past or something you must release, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

weapons for the benefit of his pleasures, and only became one of the most profound politicians of his day when he had saturated himself with those pleasures to which a young man's thoughts--when he has money and power--are primarily directed. Man hardens himself thus: he uses woman in order that she may not make use of him.

At this moment, then, De Marsay perceived that he had been fooled by the girl of the golden eyes, seeing, as he did, in perspective, all that night of which the delights had been poured upon him by degrees until they had ended by flooding him in torrents. He could read, at last, that page in effect so brilliant, divine its hidden meaning. The purely physical innocence of Paquita, the bewilderment of her joy,


The Girl with the Golden Eyes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

"Somebody getting into old Tommy's melon patch," Fritz murmured sleepily, but nobody answered him. By and by Percy spoke out of the shadows.

"Say, Tip, when you go down there will you take me with you?"

"Maybe."

"Suppose one of us beats you down there, Tip?"

"Whoever gets to the Bluff first has got to promise to tell the rest of us exactly what he finds," remarked one of the Hassler boys, and to this we all readily assented.

Somewhat reassured, I dropped off to sleep. I must have dreamed about a race for the Bluff, for I awoke in a kind of fear


The Troll Garden and Selected Stories
The third excerpt represents the future or something you must embrace, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

Say, Eudora, you know how I used to feel about you. Well, it has lasted all these years. There has never been another woman I even cared to look at. You are alone, except for that baby, and I am alone. Eudora --"

The man hesitated. His flushed face had paled. Eudora paced silently and waveringly at his side.

"Eudora," the man went on, "you know you always used to run away from me--never gave me a chance to really ask; and I thought you didn't care. But somehow I have wondered--perhaps because you never got married--if you didn't quite mean it, if you didn't quite know your own mind. You'll think I'm a conceited ass, but