| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Seraphita by Honore de Balzac: like terror.
"To believe," continued Seraphita, in her Woman's voice, for the Man
had finished speaking, "to believe is a gift. To believe is to feel.
To believe in God we must feel God. This feeling is a possession
slowly acquired by the human being, just as other astonishing powers
which you admire in great men, warriors, artists, scholars, those who
know and those who act, are acquired. Thought, that budget of the
relations which you perceive among created things, is an intellectual
language which can be learned, is it not? Belief, the budget of
celestial truths, is also a language as superior to thought as thought
is to instinct. This language also can be learned. The Believer
 Seraphita |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Death of the Lion by Henry James: the scene, and the Doctor for Paraday also arrived early. I
haven't yet seen the author of 'Obsessions,' but of course I've had
a moment by myself with the Doctor. I tried to get him to say that
our invalid must go straight home - I mean to-morrow or next day;
but he quite refuses to talk about the future. Absolute quiet and
warmth and the regular administration of an important remedy are
the points he mainly insists on. He returns this afternoon, and
I'm to go back to see the patient at one o'clock, when he next
takes his medicine. It consoles me a little that he certainly
won't be able to read - an exertion he was already more than unfit
for. Lady Augusta went off after breakfast, assuring me her first
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gulliver's Travels by Jonathan Swift: I know very well, how little reputation is to be got by writings
which require neither genius nor learning, nor indeed any other
talent, except a good memory, or an exact journal. I know
likewise, that writers of travels, like dictionary-makers, are
sunk into oblivion by the weight and bulk of those who come last,
and therefore lie uppermost. And it is highly probable, that
such travellers, who shall hereafter visit the countries
described in this work of mine, may, by detecting my errors (if
there be any), and adding many new discoveries of their own,
justle me out of vogue, and stand in my place, making the world
forget that ever I was an author. This indeed would be too great
 Gulliver's Travels |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twice Told Tales by Nathaniel Hawthorne: meeting in the street, and good women gossiping at their open
windows. It was the first item of news that the tavern-keeper
told to his guests. The children babbled of it on their way to
school. One imitative little imp covered his face with an old
black handkerchief, thereby so affrighting his playmates that the
panic seized himself, and he well-nigh lost his wits by his own
waggery.
It was remarkable that all of the busybodies and impertinent
people in the parish, not one ventured to put the plain question
to Mr. Hooper, wherefore he did this thing. Hitherto, whenever
there appeared the slightest call for such interference, he had
 Twice Told Tales |