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Today's Stichomancy for Oliver Stone

The first excerpt represents the past or something you must release, and is drawn from The Time Machine by H. G. Wells:

second heap of ruins. I could not find it at first; but, after a time in the profound obscurity, I came upon one of those round well-like openings of which I have told you, half closed by a fallen pillar. A sudden thought came to me. Could this Thing have vanished down the shaft? I lit a match, and, looking down, I saw a small, white, moving creature, with large bright eyes which regarded me steadfastly as it retreated. It made me shudder. It was so like a human spider! It was clambering down the wall, and now I saw for the first time a number of metal foot and hand rests forming a kind of ladder down the shaft. Then the light burned my fingers and fell out of my hand, going out as it


The Time Machine
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Damaged Goods by Upton Sinclair:

hearty laugh which spoke of unimpaired contentment, a soul untroubled in its deeps. He seemed to himself the luckiest fellow in the whole round world; he could not think what he had done to deserve the good fortune of possessing such a girl as Henriette. He was ordinarily of a somewhat sentimental turn-- easily influenced by women and sensitive to their charms. Moreover, his relationship with Lizette had softened him. He had learned to love the young working girl, and now Henriette, it seemed, was to reap the benefit of his experience with her.

In fact, he found himself always with memories of Lizette in his relationships with the girl who was to be his wife. When the

The third excerpt represents the future or something you must embrace, and is drawn from The Jolly Corner by Henry James:

"Oh," he said, "I MIGHT have lived here (since I had my opportunity early in life); I might have put in here all these years. Then everything would have been different enough - and, I dare say, 'funny' enough. But that's another matter. And then the beauty of it - I mean of my perversity, of my refusal to agree to a 'deal' - is just in the total absence of a reason. Don't you see that if I had a reason about the matter at all it would HAVE to be the other way, and would then be inevitably a reason of dollars? There are no reasons here BUT of dollars. Let us therefore have none whatever - not the ghost of one."

They were back in the hall then for departure, but from where they