| The first excerpt represents the past or something you must release, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner: there like that with the guilt of murder on his conscience, or even
with the knowledge in his soul that he had plundered a corpse.
Muller had never believed the first to be the case, but he had
thought it possible that Knoll knew perfectly well that it was a
lifeless body he was robbing. He had believed it at least until
the moment when he stood looking down at the sleeping tramp. Now,
with the deep knowledge of the human heart which was his by
instinct and which his profession had increased a thousand-fold,
Muller knew that this man before him had no heavy crime upon his
conscience - that it was really as he had said - that he had taken
the watch and purse from one whom he believed to be intoxicated
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Misalliance by George Bernard Shaw: paper, child; and sit down and make friends with me.
JOHNNY. | Hallo, mother this is all very well, you know--
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PERCIVAL. | But may I point out, Mrs Tarleton, that--
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BENTLEY. | Do you mean that after what he said of--
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HYPATIA. | Oh, look here, mamma: this is really--
MRS TARLETON. Will you please speak one at a time?
_Silence._
PERCIVAL _[in a very gentlemanly manner]_ Will you allow me to remind
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The third excerpt represents the future or something you must embrace, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters: conduct; and I might well shrink from such a disclosure, till
necessity obliged me to make it. But you forgive me? - I have done
very, very wrong, I know; but, as usual, I have reaped the bitter
fruits of my own error, - and must reap them to the end.'
Bitter, indeed, was the tone of anguish, repressed by resolute
firmness, in which this was spoken. Now, I raised her hand to my
lips, and fervently kissed it again and again; for tears prevented
any other reply. She suffered these wild caresses without
resistance or resentment; then, suddenly turning from me, she paced
twice or thrice through the room. I knew by the contraction of her
brow, the tight compression of her lips, and wringing of her hands,
 The Tenant of Wildfell Hall |