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Today's Stichomancy for Osama bin Laden

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Travel by Robert Louis Stevenson:

Where the old plain men have rosy faces, And the young fair maidens Quiet eyes; Where essential silence cheers and blesses, And for ever in the hill-recesses Her more lovely music Broods and dies.

O to mount again where erst I haunted; Where the old red hills are bird-enchanted, And the low green meadows Bright with sward;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Rescue by Joseph Conrad:

the proceeding no better than suicidal folly. For him Travers and d'Alcacer were two powerful Rajahs--probably relatives of the Ruler of the land of the English whom he knew to be a woman; but why they should come and interfere with the recovery of his own kingdom was an obscure problem. He was concerned for Lingard's safety. That the risk was incurred mostly for his sake--so that the prospects of the great enterprise should not be ruined by a quarrel over the lives of these whites--did not strike him so much as may be imagined. There was that in him which made such an action on Lingard's part appear all but unavoidable. Was he not Rajah Hassim and was not the other a man of strong heart, of


The Rescue
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Blue Flower by Henry van Dyke:

many-coloured--down there was history, the highway of ancient voyagers since the days of Hendrik Hudson, the hunting-ground of Indian tribes, the scenes of massacre and battle, the last camp of the Army of the Revolution, the Head-quarters of Washington--down there were the homes of legend and poetry, the dreamlike hills of Rip van Winkle's sleep, the cliffs and caves haunted by the Culprit Fay, the solitudes traversed by the Spy--all outspread before us, and visible as in a Claude Lorraine glass, in the tranquil lucidity of distance. And here, on the hilltop, was our own life; secluded, yet never separated from the other life; looking down

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

Wyk to raise his head and look at him steadily. Cap- tain Whalley was gazing fixedly with a rapt expression, as though he had seen his Creator's favorable decree written in mysterious characters on the wall. He kept perfectly motionless for a few seconds, then got his vast bulk on to his feet so impetuously that Mr. Van Wyk was startled.

He struck first a heavy blow on his inflated chest: and, throwing out horizontally a big arm that remained steady, extended in the air like the limb of a tree on a windless day--


End of the Tether