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Today's Stichomancy for P Diddy

The first excerpt represents the past or something you must release, and is drawn from Confessio Amantis by John Gower:

The forme of Aristotles lore, I have it seid, and somdiel more Of othre ensamples, to assaie If I thi peines myhte allaie Thurgh eny thing that I can seie. Do wey, mi fader, I you preie: Of that ye have unto me told I thonke you a thousendfold. 5410 The tales sounen in myn Ere, Bot yit min herte is elleswhere, I mai miselve noght restreigne,


Confessio Amantis
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eryxias by Platonic Imitator:

For the translation of these two dialogues I am indebted to my friend and secretary, Mr. Knight.

That the Dialogue which goes by the name of the Second Alcibiades is a genuine writing of Plato will not be maintained by any modern critic, and was hardly believed by the ancients themselves. The dialectic is poor and weak. There is no power over language, or beauty of style; and there is a certain abruptness and agroikia in the conversation, which is very un- Platonic. The best passage is probably that about the poets:--the remark that the poet, who is of a reserved disposition, is uncommonly difficult to understand, and the ridiculous interpretation of Homer, are entirely in the spirit of Plato (compare Protag; Ion; Apol.). The characters are ill-

The third excerpt represents the future or something you must embrace, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

"You are the first of the house that ever said so," cries Miss Alison.

"We will go all three," said my lord; and sure enough he got into his boots (the first time in four years - a sore business John Paul had to get them on), and Miss Alison into her riding-coat, and all three rode together to St. Bride's.

The streets were full of the rift-raff of all the countryside, who had no sooner clapped eyes on Mr. Henry than the hissing began, and the hooting, and the cries of "Judas!" and "Where was the Master?" and "Where were the poor lads that rode with him?" Even a stone was cast; but the more part cried shame at that, for my old lord's