| The first excerpt represents the past or something you must release, and is drawn from The Recruit by Honore de Balzac: woman from the abyss toward which she was hurrying.
"If you talk about this affair," he said, "I shall be obliged to take
notice of it, and search her house, and THEN--"
He said no more, but all present understood what he meant.
The sincere friends of Madame de Dey were so alarmed about her, that
on the morning of the third day, the procureur-syndic of the commune
made his wife write her a letter, urging her to receive her visitors
as usual that evening. Bolder still, the old merchant went himself in
the morning to Madame de Dey's house, and, strong in the service he
wanted to render her, he insisted on seeing her, and was amazed to
find her in the garden gathering flowers for her vases.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Old Indian Legends by Zitkala-Sa: I'd be so glad to sit upon a very high tree and bask in the summer
sun like you!" said he suddenly, pointing his bony finger up toward
the peacock, who was eyeing the stranger below, turning his head
from side to side.
"I beg of you make me into a bird with green and purple
feathers like yours!" implored Iktomi, tired now of playing the
brave in beaded buckskins. The peacock then spoke to Iktomi: "I
have a magic power. My touch will change you in a moment into the
most beautiful peacock if you can keep one condition."
"Yes! yes!" shouted Iktomi, jumping up and down, patting his
lips with his palm, which caused his voice to vibrate in a peculiar
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The third excerpt represents the future or something you must embrace, and is drawn from The Message by Honore de Balzac: countenance--a wizened, wrinkled, sunburned face, and long, sleek
locks of scanty gray hair; as to character--an incredible mixture
of homely sense and sheer silliness; of a rich man's overbearing
ways, and a total lack of manners; just the kind of husband who
is almost entirely led by his wife, yet imagines himself to be
the master; apt to domineer in trifles, and to let more important
things slip past unheeded--there you have the man!
But the Countess! Ah, how sharp and startling the contrast
between husband and wife! The Countess was a little woman, with a
flat, graceful figure and enchanting shape; so fragile, so dainty
was she, that you would have feared to break some bone if you so
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