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Today's Stichomancy for P Diddy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare:

For on his visage was in little drawn, What largeness thinks in paradise was sawn.

'Small show of man was yet upon his chin; His phoenix down began but to appear, Like unshorn velvet, on that termless skin, Whose bare out-bragg'd the web it seemed to wear: Yet show'd his visage by that cost more dear; And nice affections wavering stood in doubt If best were as it was, or best without.

His qualities were beauteous as his form, For maiden-tongued he was, and thereof free;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from End of the Tether by Joseph Conrad:

fourteen. There was a childlike impulsiveness in the curiosity with which he watched the spread of the voluminous, yellowish convolutions rolling up from be- low to the surface of the blue water like massive clouds driving slowly upwards on the unfathomable sky. He was not startled at the sight in the least. It was not doubt, but the certitude that the keel of the Sofala must be stirring the mud now, which made him peep over the side.

His peering eyes, set aslant in a face of the Chinese type, a little old face, immovable, as if carved in old


End of the Tether
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

Immortals delight thus their might to employ. Lost children to raise to a heavenly place.

1797. ----- THE PARIAH.

I. THE PARIAH S PRAYER.

DREADED Brama, lord of might!

All proceed from thee alone; Thou art he who judgeth right!

Dost thou none but Brahmins own? Do but Rajahs come from thee?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Exiles by Honore de Balzac:

by the nostrils. The bones of the face were strongly marked by the long, straight wrinkles that furrowed the hollow cheeks. Every line in the countenance looked dark. It would suggest the bed of a torrent where the violence of former floods was recorded in the depth of the water-courses, which testified to some terrible, unceasing turmoil. Like the ripples left by the oars of a boat on the waters, deep lines, starting from each side of his nose, marked his face strongly, and gave an expression of bitter sadness to his mouth, which was firm and straight-lipped. Above the storm thus stamped on his countenance, his calm brow rose with what may be called boldness, and crowned it as with a marble dome.