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Today's Stichomancy for Pablo Picasso

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

Greenwood Club, and at last Thomas, not knowing what else to do, went over there along the path. It was almost midnight. Part- way over he met Armstrong himself and brought him to the lodge. Mrs. Watson had gone to the house for some bed-linen, it having been arranged that under the circumstances Louise would be better at the lodge until morning. Arnold Armstrong and Louise had a long conference, during which he was heard to storm and become very violent. When he left it was after two. He had gone up to the house--Thomas did not know why--and at three o'clock he was shot at the foot of the circular staircase.

The following morning Louise had been ill. She had asked for


The Circular Staircase
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

the secret?"

"My dearest Phoebe," said Holgrave, "how will it please you to assume the name of Maule? As for the secret, it is the only inheritance that has come down to me from my ancestors. You should have known sooner (only that I was afraid of frightening you away) that, in this long drama of wrong and retribution, I represent the old wizard, and am probably as much a wizard as ever he was. The son of the executed Matthew Maule, while building this house, took the opportunity to construct that recess, and hide away the Indian deed, on which depended the immense land-claim of the Pyncheons. Thus they bartered their eastern


House of Seven Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rezanov by Gertrude Atherton:

played in one of the poignant and happy hours of his sister's life.

Day and night a great silence reigned in the Mis- sion valley, broken only by the hoot of the owl, the singing of birds, the flight of horses across the plain. Even the low huddle of Mission buildings and the few homes beyond looked an anomaly in that vast quiet valley asleep and unknown for so many centuries in the wide embrace of the hills. Its jewel oasis alone made it acceptable to the Spaniard, but to Rezanov the sandy desert, with its close com-


Rezanov
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Facino Cane by Honore de Balzac:

long to wait for proof that we were in sympathy in this way. Facino Cane left off playing, and came up to me. "Let us go out!" he said; his tones thrilled through me like an electric shock. I gave him my arm, and we went.

Outside in the street he said, "Will you take me back to Venice? Will you be my guide? Will you put faith in me? You shall be richer than ten of the richest houses in Amsterdam or London, richer than Rothschild; in short, you shall have the fabulous wealth of the /Arabian Nights/."

The man was mad, I thought; but in his voice there was a potent something which I obeyed. I allowed him to lead, and he went in the