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Today's Stichomancy for Pablo Picasso

The first excerpt represents the past or something you must release, and is drawn from Persuasion by Jane Austen:

determined her to wait till she might be safe from such a companion. She saw Mrs Clay fairly off, therefore, before she began to talk of spending the morning in Rivers Street.

"Very well," said Elizabeth, "I have nothing to send but my love. Oh! you may as well take back that tiresome book she would lend me, and pretend I have read it through. I really cannot be plaguing myself for ever with all the new poems and states of the nation that come out. Lady Russell quite bores one with her new publications. You need not tell her so, but I thought her dress hideous the other night. I used to think she had some taste in dress, but I was ashamed of her at the concert. Something so formal and arrange in her air!


Persuasion
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fantastic Fables by Ambrose Bierce:

her speed, the Tortoise, who had no other intention than making his antagonist exert herself, going very leisurely. After sauntering along for some time he discovered the Hare by the wayside, apparently asleep, and seeing a chance to win pushed on as fast as he could, arriving at the goal hours afterward, suffering from extreme fatigue and claiming the victory.

"Not so," said the Fox; "the Hare was here long ago, and went back to cheer you on your way."

Hercules and the Carter

A CARTER was driving a waggon loaded with a merchant's goods, when the wheels stuck in a rut. Thereupon he began to pray to Hercules,


Fantastic Fables
The third excerpt represents the future or something you must embrace, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

your very humble servant," he says at once, "All right: tell me what to dictate," and is presently enslaved more effectually with his own silly consent than Coriolanus would ever have enslaved him without asking his leave. And the trick by which the demagogue defeats Coriolanus is played on him in his turn by _his_ inferiors. Everywhere we see the cunning succeeding in the world by seeking a rich or powerful master and practising on his lust for subservience. The political adventurer who gets into parliament by offering himself to the poor voter, not as his representative but as his will-less soulless "delegate," is himself the dupe of a clever wife who repudiates Votes for Women, knowing well that whilst the man is