Today's Stichomancy for Pamela Anderson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

dispersed over seven stages, brought them to their destination in eight hours. At midnight they arrived at the gate of a beautiful park. The porter was in attendance; he had been apprised by the groom of the last stage of the count's approach. At half past two in the morning Morcerf was conducted to his apartments, where a bath and supper were prepared. The servant who had travelled at the back of the carriage waited on him; Baptistin, who rode in front, attended the count. Albert bathed, took his supper, and went to bed. All night he was lulled by the melancholy noise of the surf. On rising, he went to his window, which opened on

The Count of Monte Cristo

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Angler by Izaak Walton:

Coridon's song.

Oh the sweet contentment The countryman doth find! Heigh trolollie lollie foe, Heigh trolollie lee. That quiet contemplation Possesseth all my mind: Then care away And wend along with me.

For Courts are full of flattery, As hath too oft been tried

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Iron Puddler by James J. Davis:

Babe Durgon with a bitter loathing that I had been suppressing for years. It all went back to the summer of 1884 when I was eleven years old. Times were hard, and the mill was "down." Father had gone to Pittsburgh to look for work. I was scouring the town of Sharon to pick up any odd job that would earn me a nickel. There were no telephones and I used to carry notes between sweethearts, pass show bills for the "opry," and ring a hand-bell for auctions. An organized charity had opened headquarters on Main Street to collect clothing and money for the destitute families of the workers. I went up there to see if they needed an errand boy. A Miss Foraker--now Mrs. F. H. Buhl--was in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

classes are on their knees before the wealthy, and watch their tastes in order to turn them into vices and exploit them. Thus you see in these folk at an early age tastes instead of passions, romantic fantasies and lukewarm loves. There impotence reigns; there ideas have ceased--they have evaporated together with energy amongst the affectations of the boudoir and the cajolements of women. There are fledglings of forty, old doctors of sixty years. The wealthy obtain in Paris ready-made wit and science--formulated opinions which save them the need of having wit, science, or opinion of their own. The irrationality of this world is equaled by its weakness and its licentiousness. It is greedy of time to the point of wasting it. Seek

The Girl with the Golden Eyes