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Today's Stichomancy for Pamela Anderson

The first excerpt represents the past or something you must release, and is drawn from The Red Seal by Natalie Sumner Lincoln:

was a hoax, I concluded Ferguson might be lurking around Washington and so sent a description of him to the different precincts and secured a search warrant."

"You did?"

"Yes. Armed with it I visited Mr. Rochester's apartment, but couldn't find a clew to his present whereabouts," admitted Ferguson. "So then I went to your office, Mr. Kent, and ransacked the firm's safe."

"Confound you!" Kent leaned forward in his wrath and shook his fist at the detective. "What right had you to do such a thing?"

"The search warrant covered it," explained Ferguson. "I could look

The Red Seal
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Prince Otto by Robert Louis Stevenson:

she repeated, the fan wavering higher like a butterfly, 'that perhaps you do not truly understand.' The Countess rolled her fan together, laid it in her lap, and rose to a less languorous position. 'Indeed,' she continued, 'I should be sorry to see any young woman in your situation. You began with every advantage - birth, a suitable marriage - quite pretty too - and see what you have come to! My poor girl, to think of it! But there is nothing that does so much harm,' observed the Countess finely, 'as giddiness of mind.' And she once more unfurled the fan, and approvingly fanned herself.

'I will no longer permit you to forget yourself,' cried Seraphina.

The third excerpt represents the future or something you must embrace, and is drawn from Amy Foster by Joseph Conrad:

ances, as if by the visions of a nightmare. At night, when he could not sleep, he kept on thinking of the girl who gave him the first piece of bread he had eaten in this foreign land. She had been neither fierce nor angry, nor frightened. Her face he remembered as the only comprehensible face amongst all these faces that were as closed, as mys- terious, and as mute as the faces of the dead who are possessed of a knowledge beyond the compre- hension of the living. I wonder whether the mem- ory of her compassion prevented him from cutting

Amy Foster