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Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Death of the Lion by Henry James:

relinquished volume lies open on its face and as dropped under extreme coercion. Somebody else presently finds it and transfers it, with its air of momentary desolation, to another piece of furniture. Every one's asking every one about it all day, and every one's telling every one where they put it last. I'm sure it's rather smudgy about the twentieth page. I've a strong impression, too, that the second volume is lost - has been packed in the bag of some departing guest; and yet everybody has the impression that somebody else has read to the end. You see therefore that the beautiful book plays a great part in our existence. Why should I take the occasion of such distinguished

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Paz by Honore de Balzac:

also her capacity for observation.

It resulted from this little incident that silence reigned in the salon while the three took their coffee, a silence rather annoying to Adam, who was incapable of imagining the cause of it. Clementine no longer tried to draw out Thaddeus. The captain, on the other hand, retreated within his military stiffness and came out of it no more, neither on the way to the Opera nor in the box, where he seemed to be asleep.

"You see, madame, that I am a very stupid man," he said during the dance in the last act of "Guillaume Tell." "Am I not right to keep, as the saying is, to my own specialty?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Juana by Honore de Balzac:

instant all the sorrows which were gathering themselves together to fall upon her head. She judged her husband incapable of rising to the honored ranks of the social order, and she felt that he would one day descend to where his instincts led him. Henceforth Juana felt pity for him.

The future was very gloomy for this young woman. She lived in constant apprehension of some disaster. This presentiment was in her soul as a contagion is in the air, but she had strength of mind and will to disguise her anguish beneath a smile. Juana had ceased to think of herself. She used her influence to make Diard resign his various pretensions and to show him, as a haven, the peaceful and consoling

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

why a certain kind of man, like Sir Almroth Wright, resents the professional development of women. It gets in the way of the sex ideal; it temporarily covers and excludes femininity.

Of course, in this case, I was so fond of Ellador my friend, of Ellador my professional companion, that I necessarily enjoyed her society on any terms. Only--when I had had her with me in her de-feminine capacity for a sixteen-hour day, I could go to my own room and sleep without dreaming about her.

The witch! If ever anybody worked to woo and win and hold a human soul, she did, great superwoman that she was. I couldn't then half comprehend the skill of it, the wonder. But this I soon