| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon: lowers his hind-legs on his hocks[2] and raises the forepart of his
body, so that any one in front of him will see the whole length of his
belly to the sheath.[3] At the moment the horse does this, the rider
should give him the rein, so that he may display the noblest feats
which a horse can perform of his own free will, to the satisfaction of
the spectators.
[1] {lampros}. Cf. Isae. xi. 41 ("On the estate of Hagnias"), Lys.
xix. 63 ("de Bon. Arist.").
[2] See Berenger, ii. 68.
[3] Lit. "testicles."
There are, indeed, other methods of teaching these arts.[4] Some do so
 On Horsemanship |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Modest Proposal by Jonathan Swift: calf, or sow when they are ready to farrow; nor offer to beat or
kick them (as is too frequent a practice) for fear of a
miscarriage.
Many other advantages might be enumerated. For instance, the
addition of some thousand carcasses in our exportation of
barrel'd beef: the propagation of swine's flesh, and improvement
in the art of making good bacon, so much wanted among us by the
great destruction of pigs, too frequent at our tables; which are
no way comparable in taste or magnificence to a well grown, fat
yearly child, which roasted whole will make a considerable figure
at a Lord Mayor's feast, or any other publick entertainment. But
 A Modest Proposal |