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Today's Stichomancy for Pancho Villa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield:

than her children in nature, brighter, more "go" and "spirit" in her. The way she'd run down the road to meet him after business! And the way she laughed when they were looking for a house. By Jove! that laugh of hers! At the memory he grinned, then grew suddenly grave. Marriage certainly changed a woman far more than it did a man. Talk about sobering down. She had lost all her go in two months! Well, once this boy business was over she'd get stronger. He began to plan a little trip for them. He'd take her away and they'd loaf about together somewhere. After all, dash it, they were young still. She'd got into a groove; he'd have to force her out of it, that's all.

He got up and went into the drawing-room, carefully shut the door and took

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

sensible to ever be gone on anybody - I mean to an unmanageable extent. No; it was not that which made him sit on the back verandah and worry himself in his unassuming manner during Jasper's visits. What he worried about were the Dutch "authorities." For it is a fact that the Dutch looked askance at the doings of Jasper Allen, owner and master of the brig Bonito. They considered him much too enterprising in his trading. I don't know that he ever did anything illegal; but it seems to me that his immense activity was repulsive to their stolid character and slow-going methods. Anyway, in old Nelson's opinion, the captain of the Bonito was a smart sailor, and a nice young man, but not a desirable


'Twixt Land & Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Almayer's Folly by Joseph Conrad:

your voice shall be for my ears only. You have spoken your last words to the Tuan Putih, your father. Come."

She hesitated for a while, looking at Almayer, who kept his eyes steadily on the sea, then she touched his forehead in a lingering kiss, and a tear--one of her tears--fell on his cheek and ran down his immovable face.

"Goodbye," she whispered, and remained irresolute till he pushed her suddenly into Dain's arms.

"If you have any pity for me," murmured Almayer, as if repeating some sentence learned by heart, "take that woman away."

He stood very straight, his shoulders thrown back, his head held


Almayer's Folly
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dreams & Dust by Don Marquis:

Then lutanist and lute Will fall on silence, song and singer Both be mute.

Our gods from our desires we fashion. . . . Exalt our baffled lives, And dream their vital bloom and passion Still survives;

But when we're done with mirth and weeping, With myrtle, rue, and rose, Shall Death take Life into his keeping? . . . No man knows.