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Today's Stichomancy for Pancho Villa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Profits of Religion by Upton Sinclair:

biggest stockholders!

Also, why does the magazine refuse to give its readers a chance to judge its conduct? Why is it that a search of its columns reveals no mention of the revelations concerning Mr. Baxter--not even any mention of the $400,000 slush fund of its paragon, of transportation virtues? I asked that question in my letter, and the president of the "Outlook" Company for some reason failed to notice it. I wrote a second time, courteously reminding him of the omission; and also of another, equally significant--he had not informed me whether any of the editors of the "Outlook", or the officers or directors of the Company, were stockholders in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Voyage to Arcturus by David Lindsay:

When he could speak again, he said, "I have a bad heart for the business. Is there no alternative? Sleep here tonight, Spadevil, and in the morning go back to where you have come from. No one shall harm you."

Spadevil's ironic smile was lost in the gloom.

"Shall I brood again, Maskull, for still another year, and after that come back to Sant with other truths? Come, waste no time, but choose the heavier stone for me, for I am stronger than Tydomin."

Maskull lifted one of the rocks, and stepped out four full paces. Spadevil confronted him, erect, and waited tranquilly.

The huge stone hurtled through the air. Its flight looked like a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

As the three ground out the music of the square dance, I gazed at the old Venetian noble, thinking thoughts that set a young man's mind afire at the age of twenty. I saw Venice and the Adriatic; I saw her ruin in the ruin of the face before me. I walked to and fro in that city, so beloved of her citizens; I went from the Rialto Bridge, along the Grand Canal, and from the Riva degli Schiavoni to the Lido, returning to St. Mark's, that cathedral so unlike all others in its sublimity. I looked up at the windows of the Casa Doro, each with its different sculptured ornaments; I saw old palaces rich in marbles, saw all the wonders which a student beholds with the more sympathetic eyes because visible things take their color of his fancy, and the sight of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

"Monsieur George" of whom he had probably heard.

He leaned far over the table, till his very breast-bone was over the edge, as though his eyes had been stilettos and he wanted to drive them home into my brain. It was only much later that I understood how near death I had been at that moment. But the knives on the tablecloth were the usual restaurant knives with rounded ends and about as deadly as pieces of hoop-iron. Perhaps in the very gust of his fury he remembered what a French restaurant knife is like and something sane within him made him give up the sudden project of cutting my heart out where I sat. For it could have been nothing but a sudden impulse. His settled purpose was


The Arrow of Gold