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Today's Stichomancy for Pancho Villa

The first excerpt represents the past or something you must release, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

sacrifice (with whatever revolting details) should have been cultivated by nine-tenths of the human race over the globe out of sheer perversity and without some reason which at any rate to the perpetrators themselves appeared commanding and convincing. To-day [1918] we are witnessing in the Great European War a carnival of human slaughter which in magnitude and barbarity eclipses in one stroke all the accumulated ceremonial sacrifices of historical ages; and when we ask the why and wherefore of this horrid spectacle we are told, apparently in all sincerity, and by both the parties engaged, of the noble objects and commanding


Pagan and Christian Creeds
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Heroes by Charles Kingsley:

his wrist a spotted snake; he came with downcast eyes to Cheiron, and whispered how he had watched the snake cast its old skin, and grow young again before his eyes, and how he had gone down into a village in the vale, and cured a dying man with a herb which he had seen a sick goat eat.

And Cheiron smiled, and said, 'To each Athene and Apollo give some gift, and each is worthy in his place; but to this child they have given an honour beyond all honours, to cure while others kill.'

Then the lads brought in wood, and split it, and lighted a blazing fire; and others skinned the deer and quartered them,

The third excerpt represents the future or something you must embrace, and is drawn from Modeste Mignon by Honore de Balzac:

under the Valois, and a terrible marshal whom they made a duke in the time of Henri IV."

Ernest returned to Paris having seen enough of Modeste to dream of her, and to think that, whether she were rich or whether she were poor, if she had a noble soul he would like to make her Madame de La Briere; and so thinking, he resolved to continue the correspondence.

Ah! you poor women of France, try to remain hidden if you can; try to weave the least little romance about your lives in the midst of a civilization which posts in the public streets the hours when the coaches arrive and depart; which counts all letters and stamps them twice over, first with the hour when they are thrown into the boxes,


Modeste Mignon