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Today's Stichomancy for Paris Hilton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scaramouche by Rafael Sabatini:

that night to the Feydau; he had made her realize that she had acted unjustly towards him. True he had gone no farther.

But that was very far to have gone as a beginning. And in their last meeting, now a fortnight old, she had received him with frank friendliness. True, she had been a little aloof. But that was to be expected until he quite explicitly avowed that he had revived the hope of winning her. He had been a fool not to have returned before to-day.

Thus in that mood of new-born confidence - a confidence risen from the very ashes of despondency - came he on that Sunday morning to Meudon. He was gay and jovial with M. de Kercadiou what time he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

everything was going well; Popinot (about whom Cesar knew nothing) was succeeding; the oil was looking up; the notes with Claparon would be paid; there was nothing to fear. His mock joy was terrible to witness. When his wife had fallen asleep in the sumptuous bed, Birotteau would rise to a sitting position and think over his troubles. Cesarine would sometimes creep in with her bare feet, in her chemise, and a shawl over her white shoulders.

"Papa, I hear you,--you are crying," she would say, crying herself.

Birotteau sank into such a torpor, after writing the letter which asked for an interview with the great Francois Keller, that his daughter took him out for a walk through the streets of Paris. For the

Rise and Fall of Cesar Birotteau
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from When a Man Marries by Mary Roberts Rinehart:

rant. But the fact is, she is more than that. She has fire, and pluck, no end. If you could have seen her this morning, standing in front of a cold kitchen range, determined to conquer it, and had seen the tilt of her chin when I offered to take over the cooking--you needn't grin; I can cook, and you know it--you would understand what I mean. It was so clear that she was paralyzed with fright at the idea of getting breakfast, and equally clear that she meant to do it. By the way, I have learned that her name was McNair before she married this would-be artist, Wilson, and that she is a daughter of the McNair who financed the Callao branch!

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Unconscious Comedians by Honore de Balzac:

diatribes against Paris. The worthy manufacturer complained of the length of the four-pound bread-loaves, the height of the houses, the indifference of the passengers in the streets to one another, the cold, the rain, the cost of hackney-coaches, all of which and much else he bemoaned in so witty a manner that the two artists took a mighty fancy to cousin Gazonal, and made him relate his lawsuit from beginning to end.

"My lawsuit," he said in his Southern accent and rolling his r's, "is a very simple thing; they want my manufactory. I've employed here in Paris a dolt of a lawyer, to whom I give twenty francs every time he opens an eye, and he is always asleep. He's a slug, who drives in his