| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: inn, it was met by a young man in a pair of very short, very tight
breeches of white dimity, a quasi-fashionable frockcoat, and a dickey
fastened with a pistol-shaped bronze tie-pin. The young man turned his
head as he passed the britchka and eyed it attentively; after which he
clapped his hand to his cap (which was in danger of being removed by
the wind) and resumed his way. On the vehicle reaching the inn door,
its occupant found standing there to welcome him the polevoi, or
waiter, of the establishment--an individual of such nimble and brisk
movement that even to distinguish the character of his face was
impossible. Running out with a napkin in one hand and his lanky form
clad in a tailcoat, reaching almost to the nape of his neck, he tossed
 Dead Souls |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Study of a Woman by Honore de Balzac: motionless, entirely absorbed in the labors of imagination. Suddenly
he smiled idiotically, and said:--
"Monsieur, one was for the Marquise de Listomere, the other was for
Monsieur's lawyer."
"You are certain of what you say?"
Joseph was speechless. I saw plainly that I must interfere, as I
happened to be again in Eugene's apartment.
"Joseph is right," I said.
Eugene turned and looked at me.
"I read the addresses quite involuntarily, and--"
"And," interrupted Eugene, "one of them was NOT for Madame de
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