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Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Deputy of Arcis by Honore de Balzac:

the adjacent districts have used this fancied resemblance; and as in a rural propaganda the object is less to strike fair than to strike hard, Laurent Goussard's version, apocryphal as it is, is hawked about the country villages with a coolness that admits of no contradiction.

While this pretended revolutionary origin is advancing our friend's prospects in one direction, in another the tale put forth to the worthy voters whom it is desirable to entice is different, but truer and not less striking to the minds of the country-people. This is the gentlemen, they are told, who has bought the chateau of Arcis; and as the chateau of Arcis stands high above the town and is known to all the country round, it is to these simple folk a species of symbol.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

is to tell Professor Clyde about it," Miss Lombard repeated with extraordinary precision of tone.

Wyant was silent. He had the puzzled sense that his wishes were being divined and gratified for reasons with which he was in no way connected.

"Well, well," the doctor muttered, "I don't say no--I don't say no. I know what Clyde wants--I don't refuse to help him." He turned to Wyant. "You may come again--you may make notes," he added with a sudden effort. "Jot down what occurs to you. I'm willing to concede that."

Wyant again caught the girl's eye, but its emphatic message

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Research Magnificent by H. G. Wells:

contemporary, Sir Philip Easton, a man with a touch of Spanish blood and a suggestion of Spanish fire, who quite manifestly was very much in love with Amanda and of whom she spoke with a slight perceptible difference of manner that made Benham faintly uneasy. He was ashamed of the feeling. Easton it seemed was a man of a peculiarly fine honour, so that Amanda could trust herself with him to an extent that would have been inadvisable with men of a commoner substance, and he had a gift of understanding and sympathy that was almost feminine; he could cheer one up when one was lonely and despondent. For Amanda was so methodical in the arrangement of her time that even in the full rush of a London season she could find an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

in a hundred repetitions along the glazed front of the presses, and their own pale and fearful countenances stooping to look in.

"This glass has seen some strange things, sir," whispered Poole.

"And surely none stranger than itself," echoed the lawyer in the same tones. "For what did Jekyll"--he caught himself up at the word with a start, and then conquering the weakness--"what could Jekyll want with it?" he said.

"You may say that!" said Poole.

Next they turned to the business table. On the desk, among the neat array of papers, a large envelope was uppermost, and


The Strange Case of Dr. Jekyll and Mr. Hyde