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Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

and he warned the victim, defeating his own work. This peculiarity of Muller's character caused his undoing at last, his official undoing that is, and compelled his retirement from the force. But his advice is often sought unofficially by the Department, and to those who know, Muller's hand can be seen in the unravelling of many a famous case.

The following stories are but a few of the many interesting cases that have come within the experience of this great detective. But they give a fair portrayal of Muller's peculiar method of working, his looking on himself as merely an humble member of the Department, and the comedy of his acting under "official orders"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

been accumulated as yet to justify us in this conclusion, which, we acknowledge, may prove to be true.

Irritative Conditions. In the same way the various types of irritative conditions, physical and mental, may be considered as exciting moments. Individuals with a tendency to pathological lying will no doubt show aggravation of the phenomenon at periods of particular stress. We have heard it suggested in several cases by relatives that the menstrual period, for instance, brings about an access of tendency to prevarication. We would grant the point without conceding this exciting factor to be a fundamental cause. (Case 21, we may say again, illustrates a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

growing up around him. They rediscovered together the Garum, that classic sauce, whose praises had been sung of old by Horace, Martial, and Ausonius; and so child-like, superstitious if you will, was the reverence in the sixteenth century for classic antiquity, that when Pellicier and Rondelet discovered that the Garum was made from the fish called Picarel--called Garon by the fishers of Antibes, and Giroli at Venice, both these last names corruptions of the Latin Gerres--then did the two fashionable poets of France, Etienne Dolet and Clement Marot, think it not unworthy of their muse to sing the praises of the sauce which Horace had sung of old. A proud day, too, was it for Pellicier and Rondelet, when wandering

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

come across! In the first place, what an acrobat, what a circus, what a battery, all in one, is the man himself, his vocation, and his tongue! Intrepid mariner, he plunges in, armed with a few phrases, to catch five or six thousand francs in the frozen seas, in the domain of the red Indians who inhabit the interior of France. The provincial fish will not rise to harpoons and torches; it can only be taken with seines and nets and gentlest persuasions. The traveller's business is to extract the gold in country caches by a purely intellectual operation, and to extract it pleasantly and without pain. Can you think without a shudder of the flood of phrases which, day by day, renewed each dawn, leaps in cascades the length and breadth of sunny