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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Love Songs by Sara Teasdale:

"`Rivers to the Sea' is the most beautiful book of pure lyrics that has come to my hand in years." -- `Los Angeles Graphic'.

"Sara Teasdale sings about love better than any other contemporary American poet." -- `The Boston Transcript'.

"`Rivers to the Sea' is the most charming volume of poetry that has appeared on either side of the Atlantic in a score of years." -- `St. Louis Republic'.

Sara Teasdale (1884-1933):

Teasdale was born in St. Louis, Missouri, where she attended a school that was founded by the grandfather of another great poet from St. Louis -- T. S. Eliot. She later associated herself more with New York City. Her first book of poems was "Sonnets to Duse" (1907),

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country Doctor by Honore de Balzac:

perfection? Is not virtue a fair ideal which the soul must always keep before it, a standard set up by Heaven?"

"Amen," said the soldier. "An upright man is a magnificent thing, I grant you; but, on the other hand, you must admit that virtue is a divinity who may indulge in a scrap of gossip now and then in the strictest propriety."

The doctor smiled, but there was a melancholy bitterness in his tone as he said, "Ah! sir, you regard things with the lenience natural to those who live at peace with themselves; and I with all the severity of one who sees much that he would fain obliterate in the story of his life."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Concerning Christian Liberty by Martin Luther:

does not make a bad or good builder, but a good or bad builder makes a good or bad house. And in general no work makes the workman such as it is itself; but the workman makes the work such as he is himself. Such is the case, too, with the works of men. Such as the man himself is, whether in faith or in unbelief, such is his work: good if it be done in faith; bad if in unbelief. But the converse is not true that, such as the work is, such the man becomes in faith or in unbelief. For as works do not make a believing man, so neither do they make a justified man; but faith, as it makes a man a believer and justified, so also it makes his works good.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Under the Andes by Rex Stout:

pace, hand in hand, directly away from the lake. But when, about a hundred yards off, we suddenly bumped our heads against a solid wall of rock, we decided to proceed with more caution.

The darkness was intensified, if anything. We turned to the right and groped along the wall, which was smooth as glass and higher than my best reach. It seemed to the touch to be slightly convex, but that may have been delusion.

We had proceeded in this manner some hundred yards or more, advancing cautiously, when we came to a break in the wall. A few feet farther the wall began again.

"It's a tunnel," said Harry.