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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Finished by H. Rider Haggard:

back for many generations. "Hearken to me, O Princess of Heaven, appointed by the Great-Great to be the guardian of the Zulu race. It is asked that you should appear, should it be your wish to signify to these your children that they must stand upon their feet and resist the white men who already gather upon their borders. And should it be your wish that they should lay down their spears and go home to sleep with their wives and hoe the gardens while the white men count the cattle and set each to his work upon the roads, then that you should not appear. Do what you will, O Spirits of the House of Senzangacona, do what you will, O Princess of Heaven. What does it matter to the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

windows in a narrow border on the top of a grass slope, at the foot of which I have sown two long borders of sweetpeas facing the rose beds, so that my roses may have something almost as sweet as themselves to look at until the autumn, when everything is to make place for more tea-roses. The path leading <18> away from this semicircle down the garden is bordered with China roses, white and pink, with here and there a Persian Yellow. I wish now I had put tea-roses there, and I have misgivings as to the effect of the Persian Yellows among the Chinas, for the Chinas are such wee little baby things, and the Persian Yellows look as though they intended to be big bushes.

There is not a creature in all this part of the world who could


Elizabeth and her German Garden
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bunner Sisters by Edith Wharton:

two mammoth buildings, and displaying, behind its shining plate- glass festooned with muslin, a varied assortment of sofa-cushions, tea-cloths, pen-wipers, painted calendars and other specimens of feminine industry. In a corner of the window she had read, on a slip of paper pasted against the pane: "Wanted, a Saleslady," and after studying the display of fancy articles beneath it, she gave her mantle a twitch, straightened her shoulders and went in.

Behind a counter crowded with pin-cushions, watch-holders and other needlework trifles, a plump young woman with smooth hair sat sewing bows of ribbon on a scrap basket. The little shop was about the size of the one on which Ann Eliza had just closed the door;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad:

in the houses snatching up their hats to run out-- a stir at which he seemed strangely surprised at first, and then scared; but his only answer to the wondering questions was that startled and evasive, "For the present."

That sensation had been forgotten, long ago; and Captain Hagberd himself, if not forgotten, had come to be disregarded--the penalty of daili- ness--as the sun itself is disregarded unless it makes its power felt heavily. Captain Hagberd's movements showed no infirmity: he walked stiffly


To-morrow