| The first excerpt represents the past or something you must release, and is drawn from A Heap O' Livin' by Edgar A. Guest: And refreshing in his face.
Sort of man you'd like to be:
Balanced well and truly square;
Patient in adversity,
Generous when his skies were fair.
Never lied to friend or foe,
Never rash in word or deed,
Quick to come and slow to go
In a neighbor's time of need.
Never rose to wealth or fame,
Simply lived, and simply died,
 A Heap O' Livin' |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War of the Worlds by H. G. Wells: perate souls even going back towards London to get food.
These were chiefly people from the northern suburbs, whose
knowledge of the Black Smoke came by hearsay. He heard
that about half the members of the government had gathered
at Birmingham, and that enormous quantities of high explo-
sives were being prepared to be used in automatic mines
across the Midland counties.
He was also told that the Midland Railway Company had
replaced the desertions of the first day's panic, had resumed
traffic, and was running northward trains from St. Albans
to relieve the congestion of the home counties. There was
 War of the Worlds |
The third excerpt represents the future or something you must embrace, and is drawn from The Life of the Spider by J. Henri Fabre: The desired result may be very slow in coming. It does not tire
the unfailing patience of the Epeira, but it soon wears out mine.
And it has happened to me sometimes to collaborate with the Spider.
I pick up the floating loop with a straw and lay it on a branch, at
a convenient height. The foot-bridge erected with my assistance is
considered satisfactory, just as though the wind had placed it. I
count this collaboration among the good actions standing to my
credit.
Feeling her thread fixed, the Epeira runs along it repeatedly, from
end to end, adding a fibre to it on each journey. Whether I help
or not, this forms the 'suspension-cable,' the main piece of the
 The Life of the Spider |