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Today's Stichomancy for Peter Gabriel

The first excerpt represents the past or something you must release, and is drawn from Edition of The Ambassadors by Henry James:

outer view. "We'll presently, after we go," she said, "walk round it again if you like. I'm not in a particular hurry, and it will be pleasant to look at it well with you." He had spoken of the great romancer and the great romance, and of what, to his imagination, they had done for the whole, mentioning to her moreover the exorbitance of his purchase, the seventy blazing volumes that were so out of proportion.

"Out of proportion to what?"

"Well, to any other plunge." Yet he felt even as he spoke how at that instant he was plunging. He had made up his mind and was impatient to get into the air; for his purpose was a purpose to be

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Muse of the Department by Honore de Balzac:

manner without exaggeration, and watch the faces of the two criminals, you know, without seeming to do so--out of the corner of your eye, or in a glass, on the sly. This morning we will hunt the hare, this evening we will hunt the Public Prosecutor."

The evening began with a triumph for Lousteau, who returned the album to the lady with this elegy written in it:

SPLEEN

You ask for verse from me, the feeble prey Of this self-seeking world, a waif and stray With none to whom to cling; From me--unhappy, purblind, hopeless devil!


The Muse of the Department
The third excerpt represents the future or something you must embrace, and is drawn from McTeague by Frank Norris:

that little suite could be heard but two sounds, the lugubrious strains of the concertina and the noise of stifled weeping.

That her husband should be ignorant of her distress seemed to Trina an additional grievance. With perverse inconsistency she began to wish him to come to her, to comfort her. He ought to know that she was in trouble, that she was lonely and unhappy.

"Oh, Mac," she called in a trembling voice. But the concertina still continued to wail and lament. Then Trina wished she were dead, and on the instant jumped up and ran


McTeague