Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Call of Cthulhu by H. P. Lovecraft:

On the contrary, his wish for enlightenment was prompted by purely professional considerations. The statuette, idol, fetish, or whatever it was, had been captured some months before in the wooded swamps south of New Orleans during a raid on a supposed voodoo meeting; and so singular and hideous were the rites connected with it, that the police could not but realise that they had stumbled on a dark cult totally unknown to them, and infinitely more diabolic than even the blackest of the African voodoo circles. Of its origin, apart from the erratic and unbelievable tales extorted from the captured members, absolutely nothing was to be discovered; hence the anxiety of the police for any antiquarian lore which might

Call of Cthulhu

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Man of Business by Honore de Balzac:

love-making was made quite on the sly. Not a soul suspected that the trim little old fogy was smitten with Antonia; and so prudent was the elderly lover, that no rival could have guessed anything from his behavior in the reading-room. For a couple of months Croizeau watched the retired custom-house official; but before the third month was out he had good reason to believe that his suspicions were groundless. He exerted his ingenuity to scrape an acquaintance with Denisart, came up with him in the street, and at length seized his opportunity to remark, 'It is a fine day, sir!'

"Whereupon the retired official responded with, 'Austerlitz weather, sir. I was there myself--I was wounded indeed, I won my Cross on that

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pupil by Henry James:

even with less formality an allowance was to be made for them, inasmuch as Mr. Granger hadn't come to the opera after all. He had only placed his box at their service, with a bouquet for each of the party; there was even one apiece, embittering the thought of his profusion, for Mr. Moreen and Ulick. "They're all like that," was Morgan's comment; "at the very last, just when we think we've landed them they're back in the deep sea!"

Morgan's comments in these days were more and more free; they even included a large recognition of the extraordinary tenderness with which he had been treated while Pemberton was away. Oh yes, they couldn't do enough to be nice to him, to show him they had him on

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Man of Business by Honore de Balzac:

"Very well," said Desroches. "Suppose that a man owes you money, and your creditors serve a writ of attachment upon him; there is nothing to prevent all your other creditors from doing the same thing. And now what does the court do when all the creditors make application for orders to pay? /The court divides the whole sum attached, proportionately among them all./ That division, made under the eye of a magistrate, is what we call a /contribution/. If you owe ten thousand francs, and your creditors issue writs of attachment on a debt due to you of a thousand francs, each one of them gets so much per cent, 'so much in the pound,' in legal phrase; so much (that means) in proportion to the amounts severally claimed by the