|The first excerpt represents the past or something you must release, and is drawn from Aeneid by Virgil:
The Roman consul their decree declares,
And in his robes the sounding gates unbars.
The youth in military shouts arise,
And the loud trumpets break the yielding skies.
These rites, of old by sov'reign princes us'd,
Were the king's office; but the king refus'd,
Deaf to their cries, nor would the gates unbar
Of sacred peace, or loose th' imprison'd war;
But hid his head, and, safe from loud alarms,
Abhorr'd the wicked ministry of arms.
Then heav'n's imperious queen shot down from high:
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:
civil cases, according to the practice of the English courts, as
they do in criminal cases. The judge may refuse to receive the
verdict; and even after the first trial has taken place, a second
or new trial may be awarded by the Court. See Blackstone's
"Commentaries," book iii. ch. 24.
I find in my travelling journal a passage which may serve to
convey a more complete notion of the trials to which the women of
America, who consent to follow their husbands into the wilds, are
often subjected. This description has nothing to recommend it to
the reader but its strict accuracy:
|The third excerpt represents the future or something you must embrace, and is drawn from Rivers to the Sea by Sara Teasdale:
FROM THE WOOLWORTH TOWER
VIVID with love, eager for greater beauty
Out of the night we come
Into the corridor, brilliant and warm.
A metal door slides open,
And the lift receives us.
Swiftly, with sharp unswerving flight
The car shoots upward,
And the air, swirling and angry,
Howls like a hundred devils.
Past the maze of trim bronze doors,