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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

people brought up in ignorance of fine art. Nothing is more pitiably ridiculous than the wild worship of artists by those who have never been seasoned in youth to the enchantments of art. Tenors and prima donnas, pianists and violinists, actors and actresses enjoy powers of seduction which in the middle ages would have exposed them to the risk of being burnt for sorcery. But as they exercise this power by singing, playing, and acting, no great harm is done except perhaps to themselves. Far graver are the powers enjoyed by brilliant persons who are also connoisseurs in art. The influence they can exercise on young people who have been brought up in the darkness and wretchedness of a home without art, and in whom a natural bent towards art has

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

fast to a large tree. We also dipped up some of the river water and found it, though quite warm, a little sweeter than before. We had food enough, and with the water we were all quite refreshed; but we missed fresh meat. It had been weeks, now, since we had tasted it, and the sight of the reptiles gave me an idea--that a steak or two from one of them might not be bad eating. So I went on deck with a rifle, twenty of which were aboard the U-33. At sight of me a huge thing charged and climbed to the deck. I retreated to the top of the conning-tower, and when it had raised its mighty bulk to the level of the little deck on which I stood, I let it have a bullet right between the eyes.


The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Riverman by Stewart Edward White:

The man withdrew as softly as he had come. After a moment, Newmark replaced the magazine on the table, yawned, threw aside the cigar, of which he had smoked but an inch, and passed from his study into his bedroom across the hall. This contained an exquisite Colonial four-poster, with a lowboy and dresser to match, and was papered and carpeted in accordance with these, its chief ornaments. Newmark bathed in the adjoining bathroom, shaved carefully between the two wax lights which were his whim, and dressed in what were then known as "swallow-tail" clothes. Probably he was the only man in Monrovia at that moment so apparelled. Then calmly, and with all the deliberation of one under fire of a hundred eyes, he proceeded to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

capital has only been built thirty years, and its territory is still covered by an immense extent of uncultivated fields; nevertheless the population of Ohio is already proceeding westward, and most of the settlers who descend to the fertile savannahs of Illinois are citizens of Ohio. These men left their first country to improve their condition; they quit their resting-place to ameliorate it still more; fortune awaits them everywhere, but happiness they cannot attain. The desire of prosperity is become an ardent and restless passion in their minds which grows by what it gains. They early broke the ties which bound them to their natal earth, and they have