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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King Henry VI by William Shakespeare:

GLOUCESTER. Lord bishop, set the crown upon his head.

WINCHESTER. God save King Henry, of that name the sixth!

GLOUCESTER. Now, Governor of Paris, take your oath, That you elect no other king but him; Esteem none friends but such as are his friends, And none your foes but such as shall pretend Malicious practices against his state: This shall ye do, so help you righteous God!

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Woman and Labour by Olive Schreiner:

physical well-being of woman herself, as well as to that of her male companions and descendants.

The coming half-century will be a time of peculiar strain, as mankind seeks rapidly to adjust moral ideals and social relationships and the general ordering of life to the new and continually unfolding material conditions. If these two great movements of our age, having this as their object, can be brought into close harmony and co-operation, the readjustment will be the sooner and more painlessly accomplished; but, for the moment, the two movements alike in their origin and alike in many of their methods of procedure, remain distinct.

It is this fact, the consciousness on the part of the women taking their

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Francis Bacon by Francis Bacon:

as in acting. And though the sects of philosophers of that kind be gone, yet there remain certain dis- coursing wits, which are of the same veins, though there be not so much blood in them, as was in those of the ancients. But it is not only the difficulty and labor, which men take in finding out of truth, nor again, that when it is found, it imposeth upon men's thoughts, that doth bring lies in favor; but a natural, though corrupt love, of the lie itself. One of the later school of the Grecians, examineth the matter, and is at a stand, to think what should be

Essays of Francis Bacon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

turned mechanically into the convent church, with the gray towers that loomed like ghosts though the sea mists. I looked round with no kindling of the imagination at the forest of columns, at the slender arches set aloft upon the leafy capitals, a delicate labyrinth of sculpture. I walked with careless eyes along the side aisles that opened out before me like vast portals, ever turning upon their hinges. It was scarcely possible to see, by the dim light of the autumn day, the sculptured groinings of the roof, the delicate and clean-cut lines of the mouldings of the graceful pointed arches. The organ pipes were mute. There was no sound save the noise of my own footsteps to awaken the mournful echoes lurking in the dark chapels. I