| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare: This said, in top of rage the lines she rents,
Big discontent so breaking their contents.
A reverend man that grazed his cattle nigh,
Sometime a blusterer, that the ruffle knew
Of court, of city, and had let go by
The swiftest hours, observed as they flew,
Towards this afflicted fancy fastly drew;
And, privileg'd by age, desires to know
In brief, the grounds and motives of her woe.
So slides he down upon his grained bat,
And comely-distant sits he by her side;
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters from England by Elizabeth Davis Bancroft: miseries, tortures, and distresses, a sea voyage is the greatest . .
. The Liverpool paper this morning, after announcing our arrival
says: "The GREAT WESTERn, notwithstanding she encountered
throughout a series of most severe gales, accomplished the passage
in sixteen days and twelve hours."
To begin at the moment I left New York: I was so absorbed by the
pain of parting from you that I was in a state of complete apathy
with regard to all about me. I did not sentimentalize about "the
receding shores of my country;" I hardly looked at them, indeed.
Friday I was awoke in the middle of the night by the roaring of the
wind and sea and SUCH motion of the vessel.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Woman and Labour by Olive Schreiner: brick, and then assert its incapacity to keep afloat.
For the present our cry is, "We take all labour for our province!"
From the judge's seat to the legislator's chair; from the statesman's
closet to the merchant's office; from the chemist's laboratory to the
astronomer's tower, there is no post or form of toil for which it is not
our intention to attempt to fit ourselves; and there is no closed door we
do not intend to force open; and there is no fruit in the garden of
knowledge it is not our determination to eat. Acting in us, and through
us, nature we know will mercilessly expose to us our deficiencies in the
field of human toil, and reveal to us our powers. And, for today, we take
all labour for our province!
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson: Sir Willoughby Patterne, but the Patternes have a manlier sense of
their own merits; and the parallel, besides, is ready. Hans
Christian Andersen, as we behold him in his startling memoirs,
thrilling from top to toe with an excruciating vanity, and scouting
even along the street for shadows of offence - here was the talking
dog.
It is just this rage for consideration that has betrayed the dog
into his satellite position as the friend of man. The cat, an
animal of franker appetites, preserves his independence. But the
dog, with one eye ever on the audience, has been wheedled into
slavery, and praised and patted into the renunciation of his
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