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Today's Stichomancy for Peter Jackson

The first excerpt represents the past or something you must release, and is drawn from Hellenica by Xenophon:

Plut. "Pericl." xix.

Having finished the work, he crossed back again into Asia, and on a tour of inspection, found the cities for the most part in a thriving condition; but when he came to Atarneus he discovered that certain exiles from Chios had got possession of the stronghold, which served them as a convenient base for pillaging and plundering Ionia; and this, in fact, was their means of livelihood. Being further informed of the large supplies of grain which they had inside, he proceeded to draw entrenchments around the place with a view to a regular investment, and by this means he reduced it in eight months. Then having appointed Draco of Pellene[10] commandant, he stocked the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glasses by Henry James:

towered over me in dismal triumph. It was the first time in our acquaintance that, on any ground of understanding this had occurred; but even so remarkable an incident still left me sufficiently at sea to cause him to continue: "Why, the effect of those spectacles!"

I seemed to catch the tail of his idea. "Mrs. Meldrum's?"

"They're so awfully ugly and they add so to the dear woman's ugliness." This remark began to flash a light, and when he quickly added "She sees herself, she sees her own fate!" my response was so immediate that I had almost taken the words out of his mouth. While I tried to fix this sudden image of Flora's face glazed in

The third excerpt represents the future or something you must embrace, and is drawn from Emma McChesney & Co. by Edna Ferber:

buying-trip. Ethel Morrissey, plump, matronly-looking, quiet, with her hair fast graying at the sides, had nothing of the skittish Middle Western buyer about her. She might have passed for the mother of a brood of six if it were not for her eyes--the shrewd, twinkling, far-sighted, reckoning eyes of the business woman. She and Emma McChesney had been friends from the day that Ethel Morrissey had bought her first cautious bill of Featherlooms. Her love for Emma McChesney had much of the maternal in it. She felt a personal pride in Emma McChesney's work, her success, her clean reputation, her life of self-denial for her son Jock. When Ethel Morrissey was planned by her Maker,


Emma McChesney & Co.