Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Peter Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Exiles by Honore de Balzac:

circle above his forehead, and not showing a single hair. It was the strictest mourning, the gloomiest habit a man could wear. But for a long sword that hung by his side from a leather belt which could be seen where his surcoat hung open, a priest would have hailed him as a brother. Though of no more than middle height, he appeared tall; and, looking him in the face he seemed a giant.

"The clock has struck, the boat is waiting; will you not come?"

At these words, spoken in bad French, but distinctly audible in the silence, a little noise was heard in the other top room, and the young man came down as lightly as a bird.

When Godefroid appeared, the lady's face turned crimson; she trembled,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeneid by Virgil:

When execrable Troy in ashes lay, Thro' fires and swords and seas they forc'd their way. Then vanquish'd Juno must in vain contend, Her rage disarm'd, her empire at an end. Breathless and tir'd, is all my fury spent? Or does my glutted spleen at length relent? As if 't were little from their town to chase, I thro' the seas pursued their exil'd race; Ingag'd the heav'ns, oppos'd the stormy main; But billows roar'd, and tempests rag'd in vain. What have my Scyllas and my Syrtes done,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dunwich Horror by H. P. Lovecraft:

still send their eldest sons to Harvard and Miskatonic, though those sons seldom return to the mouldering gambrel roofs under which they and their ancestors were born. No one, even those who have the facts concerning the recent horror, can say just what is the matter with Dunwich; though old legends speak of unhallowed rites and conclaves of the Indians, amidst which they called forbidden shapes of shadow out of the great rounded hills, and made wild orgiastic prayers that were answered by loud crackings and rumblings from the ground below. In 1747 the Reverend Abijah Hoadley, newly come to the Congregational Church at Dunwich Village, preached

The Dunwich Horror
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

understood it.

"The White Prophet is welcome," was the chief's greeting. "Does he come for sheep or braves or to honor the Navajo in his home?"

"Eschtah, he see' s the Flower of the Desert," replied August Naab. "Mescal has left him. Her trail leads to the bitter waters under the cliff, and then is as a bird's."

"Eschtah has waited, yet Mescal has not come to him."

"She has not been here?"

"Mescal's shadow has not gladdened the Navajo's door."

"She has climbed the crags or wandered into the canyons. The white father loves her; he must find her."

The Heritage of the Desert