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Today's Stichomancy for Peter O'Toole

The first excerpt represents the past or something you must release, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

from the present time. I shall have to pay him something, of course. When all that is settled, I shall take a West End theatre and bring her out properly. She will make the world as mad as she has made me."

"That would be impossible, my dear boy."

"Yes, she will. She has not merely art, consummate art-instinct, in her, but she has personality also; and you have often told me that it is personalities, not principles, that move the age."

"Well, what night shall we go?"

"Let me see. To-day is Tuesday. Let us fix to-morrow. She plays Juliet to-morrow."

The Picture of Dorian Gray
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Albert Savarus by Honore de Balzac:

It was said with the artless grace which revived, in this avowal hidden beneath a jest, the happy days at Gersau. Rodolphe reveled in the exquisite sensation of listening to the voice of the woman he adored, while sitting so close to her that one cheek was almost touched by the stuff of her dress and the gauze of her scarf. But when, at such a moment, /Mi manca la voce/ is being sung, and by the finest voices in Italy, it is easy to understand what it was that brought the tears to Rodolphe's eyes.

In love, as perhaps in all else, there are certain circumstances, trivial in themselves, but the outcome of a thousand little previous incidents, of which the importance is immense, as an epitome of the

Albert Savarus
The third excerpt represents the future or something you must embrace, and is drawn from A Heap O' Livin' by Edgar A. Guest:

Than other men could ever be.

In every struggle I have lost I am the one that was to blame; My weaknesses cannot be glossed By glib excuses. I was lame. I that would dare for fame or pelf Am far less daring with myself. I care not who my foes may be, I am my own worst enemy.


A Heap O' Livin'