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Today's Stichomancy for Peter Sellers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salammbo by Gustave Flaubert:

his defences: he had a second trench dug within the palisades, a second wall raised, and wooden towers constructed at the corners; and his slaves went as far as the middle of the outposts to drive caltrops into the ground. But the elephants, whose allowances were lessened, struggled in their shackles. To economise the grass he ordered the Clinabarians to kill the least strong among the stallions. A few refused to do so, and he had them decapitated. The horses were eaten. The recollection of this fresh meat was a source of great sadness to them in the days that followed.

From the bottom of the ampitheatre in which they were confined they could see the four bustling camps of the Barbarians all around them on


Salammbo
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

spells of labor on the hulks, and by three escapes, the muscles which had acquired the metallic temper of a savage's limbs? Iron will yield to a certain amount of hammering or persistent pressure; its impenetrable molecules, purified and made homogeneous by man, may become disintegrated, and without being in a state of fusion the metal had lost its power of resistance. Blacksmiths, locksmiths, tool-makers sometimes express this state by saying the iron is retting, appropriating a word applied exclusively to hemp, which is reduced to pulp and fibre by maceration. Well, the human soul, or, if you will, the threefold powers of body, heart, and intellect, under certain repeated shocks, get into such a condition as fibrous iron. They too

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Story of an African Farm by Olive Schreiner:

turned himself round for a fresh doze he heard the steps descending the ladder. His first impulse was to draw the blanket over his head and his legs under him, and to shout; but recollecting that the door was locked and the window carefully bolted, he allowed his head slowly to crop out among the blankets, and listened intently. Whosoever it might be, there was no danger of their getting at him; so he clambered out of bed, and going on tiptoe to the door, applied his eye to the keyhole. There was nothing to be seen; so walking to the window, he brought his face as close to the glass as his nose would allow. There was a figure just discernible. The lad was not trying to walk softly, and the heavy shuffling of the well- known velschoens could be clearly heard through the closed window as they

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Aspern Papers by Henry James:

I don't know whether six months hence I shall have bread to put in my mouth. I have treated myself for once; it has been an immense luxury. But when it comes to going on--!"

"Are your rooms too dear? If they are you can have more for the same money," Juliana responded. "We can arrange, we can combinare, as they say here."

"Well yes, since you ask me, they are too dear," I said. "Evidently you suppose me richer than I am."

She looked at me in her barricaded way. "If you write books don't you sell them?"

"Do you mean don't people buy them? A little--not so much as I could wish. Writing books, unless one be a great genius--and even then!--is the last road