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Today's Stichomancy for Peter Sellers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Grimm's Fairy Tales by Brothers Grimm:

egg, they pecked a hole in it, ate it up, and threw the shells into the fireplace: they then went to the pin and needle, who were fast asleep, and seizing them by the heads, stuck one into the landlord's easy chair and the other into his handkerchief; and, having done this, they crept away as softly as possible. However, the duck, who slept in the open air in the yard, heard them coming, and jumping into the brook which ran close by the inn, soon swam out of their reach.

An hour or two afterwards the landlord got up, and took his handkerchief to wipe his face, but the pin ran into him and pricked him: then he walked into the kitchen to light his pipe at the fire, but when he stirred it up the eggshells flew into his eyes, and almost


Grimm's Fairy Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Summer by Edith Wharton:

no other way of getting any lace to trim her summer blouse, and since Ally Hawes, the poorest girl in the village, had shown herself in church with enviable transparencies about the shoulders, Charity's hook had travelled faster. She unrolled the lace, dug the hook into a loop, and bent to the task with furrowed brows.

Suddenly the door opened, and before she had raised her eyes she knew that the young man she had seen going in at the Hatchard gate had entered the library.

Without taking any notice of her he began to move slowly about the long vault-like room, his hands behind

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Astoria by Washington Irving:

any article of civilized dress which they could procure, and often made a most grotesque appearance. They adapted many articles of finery, also, to their own previous tastes. Both sexes were fond of adorning themselves with bracelets of iron, brass, or copper. They were delighted, also, with blue and white beads, particularly the former, and wore broad tight bands of them round the waist and ankles, large rolls of them round the neck, and pendants of them in the ears. The men, especially, who in savage life carry a passion for personal decoration further than the females, did not think their gala equipments complete unless they had a jewel of hiaqua, or wampum, dangling at the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

drawn by the tip of a brush, were separated by folds of cloud, like the wrinkles on an old man's brow. The whole scene made a background of ashen grays and half-tints, in strong contrast to the bale-fires of the sunset. If written language might borrow of spoken language some of the bold figures of speech invented by the people, it might be said with the soldier that "the weather has been routed," or, as the peasant would say, "the sky glowered like an executioner." Suddenly a wind arose from the quarter of the sunset, and the skipper, who never took his eyes off the sea, saw the swell on the horizon line, and cried:

"Stop rowing!"