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Today's Stichomancy for Peter Sellers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske:

man. Art has, therefore, this peculiarity, that it is at once elevated and popular, that it manifests that which is often most recondite, and that it manifests it to all.

Having determined what a work of art is, our author goes on to study the social conditions under which works of art are produced; and he concludes that the general character of a work of art is determined by the state of intellect and morals in the society in which it is executed. There is, in fact, a sort of moral temperature which acts upon mental development much as physical temperature acts upon organic development. The condition of society does not produce the artist's talent; but it assists


The Unseen World and Other Essays
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedo by Plato:

select be men or dogs or anything else, few are the extremes, but many are in the mean between them. Did you never observe this?

Yes, I said, I have.

And do you not imagine, he said, that if there were a competition in evil, the worst would be found to be very few?

Yes, that is very likely, I said.

Yes, that is very likely, he replied; although in this respect arguments are unlike men--there I was led on by you to say more than I had intended; but the point of comparison was, that when a simple man who has no skill in dialectics believes an argument to be true which he afterwards imagines to be false, whether really false or not, and then another and another, he has

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

just the length of time it had taken the detective to walk through the room and hold out his hand to the patient.

"I don't want to disturb you, Mr. Varna," he said in a friendly tone, with a motion towards the bench from which the mechanician had just arisen. Varna sat down again, obedient as a child. He was not always so apparently, for Muller saw a red mark over the fingers of one hand that was evidently the mark of a blow. Gyuri was not very choice in the methods by which he controlled the patients confided to his care.

"May I sit down also?" asked Muller.

Varna pushed forward a chair. His movements were like those of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

still shines upon the roofs of Dean; the smoke still rises thriftily from its chimneys; the dusty miller comes to his door, looks at the gurgling water, hearkens to the turning wheel and the birds about the shed, and perhaps whistles an air of his own to enrich the symphony - for all the world as if Edinburgh were still the old Edinburgh on the Castle Hill, and Dean were still the quietest of hamlets buried a mile or so in the green country.

It is not so long ago since magisterial David Hume lent the authority of his example to the exodus from the