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Today's Stichomancy for Peter Sellers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

and no thoughts for aught else. A priest opened a book and, raising his hand, commenced to drone out a sing-song ritual. Salensus Oll reached for the hand of his bride. I had intended waiting until some circumstance should give me a reasonable hope of success; for, even though the entire ceremony should be completed, there could be no valid marriage while I lived. What I was most concerned in, of course, was the rescuing of Dejah Thoris--I wished to take her from the palace of Salensus Oll, if such a thing were possible; but whether it were accomplished before or after the mock marriage was a matter of secondary import.


The Warlord of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems of William Blake by William Blake:

Ah weep not little voice, thou can'st not speak, but thou can'st weep: Is this a Worm? I see they lay helpless & naked: weeping And none to answer, none to cherish thee with mothers smiles.

The Clod of Clay heard the Worms voice & rais'd her pitying head: She bowd over the weeping infant, and her life exhald In milky fondness, then on Thel she fix'd her humble eyes

O beauty of the vales of Har, we live not for ourselves, Thou seest me the meanest thing, and so I am indeed: My bosom of itself is cold, and of itself is dark,

But he that loves the lowly, pours his oil upon my head And kisses me, and binds his nuptial bands around my breast.


Poems of William Blake
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

and over 33rd Street to the Pennsylvania Station.

I began to like New York, the racy, adventurous feel of it at night, and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I liked to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter into their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others--poor young clerks who loitered in front of windows


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac:

Emigration, between the old traditions of the court and the conscientious education of the /bourgeoisie/; between religion and fancy-balls; between two political faiths, between Louis XVIII., who saw only the present, and Charles X., who looked too far into the future; it was moreover bound to accept the will of the king, though the king was deceiving and tricking it. This unfortunate youth, blind and yet clear-sighted, was counted as nothing by old men jealously keeping the reins of the State in their feeble hands, while the monarchy could have been saved by their retirement and the accession of this Young France, which the old doctrinaires, the /emigres/ of the Restoration, still speak of slightingly. Auguste de Maulincour was a


Ferragus