Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Peter Sellers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Montezuma's Daughter by H. Rider Haggard:

Indian warrior with Guatemoc and the other generals, to a parley which was held with Cortes, who took his stand on the same tower of the palace that Montezuma had stood on when the arrow of Guatemoc struck him down. There is little to be said of this parley, and I remember it chiefly because it was then for the first time since I had left the Tobascans that I saw Marina close, and heard her sweet and gentle voice. For now as ever she was by the side of Cortes, translating his proposals of peace to the Aztecs. Among those proposals was one which showed me that de Garcia had not been idle. It asked that the false white man who had been rescued from the altars of the gods upon the teocalli should be given in exchange


Montezuma's Daughter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

`are subject to no calculation'; and still he must predict, still calculate them, at his peril. His work is not yet in being, and he must foresee its influence: how it shall deflect the tide, exaggerate the waves, dam back the rain-water, or attract the thunderbolt. He visits a piece of sea-board; and from the inclination and soil of the beach, from the weeds and shell-fish, from the configuration of the coast and the depth of soundings outside, he must deduce what magnitude of waves is to be looked for. He visits a river, its summer water babbling on shallows; and he must not only read, in a thousand indications, the measure of winter freshets, but be able to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Where There's A Will by Mary Roberts Rinehart:

"Twenty-three."

"An--er--earnest youth? Willing to buckle down to work and make the old place go? Ready to pat the old ladies on the shoulder and squeeze the young ones' hands?"

"He's young," I said, "but if you're counting on his being a fool--"

"Not at all," he broke in hastily. "If he hasn't too much character he'll probably succeed. I hope he isn't a fool. If he isn't, oh, friend Minnie, he'll stand the atmosphere of this Garden of Souls for about a week, and then he'll kill some of them and escape. Where is he now?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Foolish Virgin by Thomas Dixon:

lesson at night, and the Italian sculptor who worked on the top floor used a hammer at the most impossible hours. But on the whole she liked it better than the tiresome routine of boarding. She was not afraid at night. The stamp-and-coin man who occupied the first floor, lived with his wife and baby in the rear. The janitress had a room on the floor above hers. Two elderly women workers of ability in the mechanical arts occupied the rear of her floor, and a dear little fat woman of fifty who drew designs for the New England weavers of cotton goods lived in the room adjoining