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Today's Stichomancy for Philip K. Dick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Island of Doctor Moreau by H. G. Wells:

The minutes passed; the silence lengthened out, and at last after an hour of security my courage began to return to me. By this time I was no longer very much terrified or very miserable. I had, as it were, passed the limit of terror and despair. I felt now that my life was practically lost, and that persuasion made me capable of daring anything. I had even a certain wish to encounter Moreau face to face; and as I had waded into the water, I remembered that if I were too hard pressed at least one path of escape from torment still lay open to me,--they could not very well prevent my drowning myself. I had half a mind to drown myself then; but an odd wish to see the whole adventure out,


The Island of Doctor Moreau
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Seraphita by Honore de Balzac:

men, are real to those who begin to penetrate the Spiritual World. On the tiers of this Coliseum Monsieur Becker seated the gray legions of Doubt, the stern ideas, the specious formulas of Dispute. He convoked the various antagonistic worlds of philosophy and religion, and they all appeared, in the guise of a fleshless shape, like that in which art embodies Time,--an old man bearing in one hand a scythe, in the other a broken globe, the human universe.

Wilfrid had bidden to the scene his earliest illusions and his latest hopes, human destiny and its conflicts, religion and its conquering powers.

Minna saw heaven confusedly by glimpses; love raised a curtain wrought


Seraphita
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mysterious Island by Jules Verne:

firmly attached to each other, would be exposed to the risk of disintegration. Although, therefore, the spreading of the volcanic matter might not constitute a serious danger, any movement of the terrestrial structure which should shake the island might entail the gravest consequences.

"It seems to me," said Ayrton, who had reclined so as to place his ear to the ground, "it seems to me that I can hear a dull, rumbling sound, like that of a wagon loaded with bars of iron."

The colonists listened with the greatest attention, and were convinced that Ayrton was not mistaken. The rumbling was mingled with a subterranean roar, which formed a sort of rinforzando, and died slowly away, as if some


The Mysterious Island
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Virginian by Owen Wister:

you're lookin' for my brass ear-rings. But there ain't no earrings on me. I've been white for a hundred years. Step down. I've a forty-dollar thirst."

"You're certainly white," began the Virginian. "But--"

Here the caboose resumed:

"I'm wild, and woolly, and full of peas; I'm hard to curry above the knees; I'm a she-wolf from Bitter Creek, and It's my night to ho-o-wl--"

And as they howled and stamped, the wheels of the caboose began to turn gently and to murmur.


The Virginian