| The first excerpt represents the past or something you must release, and is drawn from Unconscious Comedians by Honore de Balzac: "Haven't we RE-friended?" said Bixiou, pocketing the five-hundred-
franc bill and the note for four hundred and fifty. "I give you my
word of honor that you shall see du Tillet, and many other men who
want to make their way--their railway--to-night at Carabine's."
Vauvinet conducted the three friends to the landing of the staircase,
cajoling Bixiou on the way. Bixiou kept a grave face till he reached
the outer door, listening to Gazonal, who tried to enlighten him on
his late operation, and to prove to him that if Vauvinet's follower,
Cerizet, took another twenty francs out of his four hundred and fifty,
he was getting money at forty per cent.
When they reached the asphalt Bixiou frightened Gazonal by the laugh
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley: from deeper water in every direction for miles and miles.
Hastings is, I fear, but a poor spot for dredging. Its friable
cliffs and strong tides produce a changeable and barren sea-floor.
Yet the immense quantities of Flustra thrown up after a storm
indicate dredging ground at no great distance outside; its rocks,
uninteresting as they are compared with our Devonians, have yielded
to the industry and science of M. Tumanowicz a vast number of sea-
weeds and sponges. Those three curious polypes, Valkeria cuscuta
(Plate I. fig. 3), Notamia Bursaria, and Serialaria Lendigera,
abound within tide-marks; and as the place is so much visited by
Londoners, it may be worth while to give a few hints as to what
|
The third excerpt represents the future or something you must embrace, and is drawn from The Ruling Passion by Henry van Dyke: kissed it, while his eyes wandered timidly around the circle of
listeners, and rested at last, with a question in them, on the face
of the hotel-keeper. Moody was fairly warmed, for once, out of his
customary temper of mistrust and indecision. He spoke up promptly.
"You kin stop here jess long's you like. We don' care where you
come from, an' you need n't to go no fu'ther, less you wanter. But
we ain't got no use for French names round here. Guess we 'll call
him Fiddlin' Jack, hey, Sereny? He kin do the chores in the day-
time, an' play the fiddle at night."
This was the way in which Bytown came to have a lover of music among
its permanent inhabitants.
|
