| The first excerpt represents the past or something you must release, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley: As early as 1842, he proved to himself the vegetable nature of the
common pink Coralline, which fringes every rock-pool, by keeping it
for eight weeks in unchanged salt-water, without any putrefaction
ensuing. The ground, of course, on which the proof rested in this
case was, that if the coralline were, as had often been thought, a
zoophyte, the water would become corrupt, and poisonous to the life
of the small animals in the same jar; and that its remaining fresh
argued that the coralline had re-oxygenated it from time to time,
and was therefore a vegetable.
In 1850, Mr. Robert Warrington communicated to the Chemical Society
the results of a year's experiments, "On the Adjustment of the
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell: the windmill was to be put to the vote. When the animals had assembled in
the big barn, Snowball stood up and, though occasionally interrupted by
bleating from the sheep, set forth his reasons for advocating the building
of the windmill. Then Napoleon stood up to reply. He said very quietly
that the windmill was nonsense and that he advised nobody to vote for it,
and promptly sat down again; he had spoken for barely thirty seconds, and
seemed almost indifferent as to the effect he produced. At this Snowball
sprang to his feet, and shouting down the sheep, who had begun bleating
again, broke into a passionate appeal in favour of the windmill. Until now
the animals had been about equally divided in their sympathies, but in a
moment Snowball's eloquence had carried them away. In glowing sentences he
Animal Farm |
The third excerpt represents the future or something you must embrace, and is drawn from My Aunt Margaret's Mirror by Walter Scott: considerable spur to my grandfather, who was otherwise an
indolent man, but whom, unless he has been slandered, his lady's
influence involved in some political matters which had been more
wisely let alone. She was a woman of high principle, however,
and masculine good sense, as some of her letters testify, which
are still in my wainscot cabinet.
Jemmie Falconer was the reverse of her sister in every respect.
Her understanding did not reach above the ordinary pitch, if,
indeed, she could be said to have attained it. Her beauty, while
it lasted, consisted, in a great measure, of delicacy of
complexion and regularity of features, without any peculiar force
|
