| The first excerpt represents the past or something you must release, and is drawn from The Door in the Wall, et. al. by H. G. Wells: anticipated, that first encounter with the population of the
Country of the Blind. The place seemed larger as he drew near to
it, and the smeared plasterings queerer, and a crowd of children
and men and women (the women and girls he was pleased to note had,
some of them, quite sweet faces, for all that their eyes were shut
and sunken) came about him, holding on to him, touching him with
soft, sensitive hands, smelling at him, and listening at every
word he spoke. Some of the maidens and children, however, kept
aloof as if afraid, and indeed his voice seemed coarse and rude
beside their softer notes. They mobbed him. His three guides kept
close to him with an effect of proprietorship, and said again and
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Return of Tarzan by Edgar Rice Burroughs: and not another man more sophisticated.
Had you really paid court to Olga's heart I am afraid that
there would have been no hope for either of you.
She asked me to tell you that Nikolas had left France.
She paid him twenty thousand francs to go away, and stay.
She is congratulating herself that she got rid of him before
he tried to carry out a threat he recently made her that he
should kill you at the first opportunity. She said that she
should hate to think that her brother's blood was on your
hands, for she is very fond of you, and made no bones in
saying so before the count. It never for a moment seemed to
 The Return of Tarzan |
The third excerpt represents the future or something you must embrace, and is drawn from The Duchess of Padua by Oscar Wilde: And if it be my will you walk abroad,
Why, you shall take the air from morn to night.
DUCHESS
Sir, by what right -?
DUKE
Madam, my second Duchess
Asked the same question once: her monument
Lies in the chapel of Bartholomew,
Wrought in red marble; very beautiful.
Guido, your arm. Come, gentlemen, let us go
And spur our falcons for the mid-day chase.
|