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Today's Stichomancy for Pol Pot

The first excerpt represents the past or something you must release, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

furlined coat, his cap and hood, and went out with the doctor. There was not a very sharp frost, but a violent and piercing wind was blowing and driving along the street the clouds of snow which seemed to be racing away in terror: high drifts were heaped up already under the fences and at the doorways. The doctor and the examining magistrate got into the sledge, and the white coachman bent over them to button up the cover. They were both hot.

"Ready!"

They drove through the village. "Cutting a feathery furrow," thought the examining magistrate, listlessly watching the action


The Schoolmistress and Other Stories
The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1984 by George Orwell:

That was all, and he was already uncertain whether it had happened. Such incidents never had any sequel. All that they did was to keep alive in him the belief, or hope, that others besides himself were the enemies of the Party. Perhaps the rumours of vast underground conspiracies were true after all--perhaps the Brotherhood really existed! It was impossible, in spite of the endless arrests and confessions and executions, to be sure that the Brotherhood was not simply a myth. Some days he believed in it, some days not. There was no evidence, only fleeting glimpses that might mean anything or nothing: snatches of overheard conversation, faint scribbles on lavatory walls--once, even, when two strangers met, a small movement of the hand which had looked as though it might be a signal of recognition. It was all


1984
The third excerpt represents the future or something you must embrace, and is drawn from Heart of the West by O. Henry:

"Pretty soon I got a regular habit of dropping into the tent to eat at irregular times when there wasn't so many around. Mame would sail in with a smile, in a black dress and white apron, and say: 'Hello, Jeff --why don't you come at mealtime? Want to see how much trouble you can be, of course. Friedchickenbeefsteakporkchopshamandeggspotpie'--and so on. She called me Jeff, but there was no significations attached. Designations was all she meant. The front names of any of us she used as they came to hand. I'd eat about two meals before I left, and string 'em out like a society spread where they changed plates and wives, and josh one another festively between bites. Mame stood for it, pleasant, for it wasn't up to her to take any canvas off the tent


Heart of the West