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Today's Stichomancy for Pol Pot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Agent by Joseph Conrad:

dusky alley paved with flagstones. On one side the low brick houses had in their dusty windows the sightless, moribund look of incurable decay - empty shells awaiting demolition. From the other side life had not departed wholly as yet. Facing the only gas-lamp yawned the cavern of a second-hand furniture dealer, where, deep in the gloom of a sort of narrow avenue winding through a bizarre forest of wardrobes, with an undergrowth tangle of table legs, a tall pier-glass glimmered like a pool of water in a wood. An unhappy, homeless couch, accompanied by two unrelated chairs, stood in the open. The only human being making use of the alley besides the Professor, coming stalwart and erect from the opposite


The Secret Agent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and Peace by Leo Tolstoy:

and he fell ill. She was terrified by his illness, and yet that was just what she needed. While attending to him she bore the anxiety about her husband more easily.

She was nursing her boy when the sound of Pierre's sleigh was heard at the front door, and the old nurse- knowing how to please her mistress- entered the room inaudibly but hurriedly and with a beaming face.

"Has he come?" Natasha asked quickly in a whisper, afraid to move lest she should rouse the dozing baby.

"He's come, ma'am," whispered the nurse.

The blood rushed to Natasha's face and her feet involuntarily moved,


War and Peace
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

how complete Cyril Graham's theory really was. I also saw that it was quite easy to separate those lines in which he speaks of the Sonnets themselves from those in which he speaks of his great dramatic work. This was a point that had been entirely overlooked by all critics up to Cyril Graham's day. And yet it was one of the most important points in the whole series of poems. To the Sonnets Shakespeare was more or less indifferent. He did not wish to rest his fame on them. They were to him his 'slight Muse,' as he calls them, and intended, as Meres tells us, for private circulation only among a few, a very few, friends. Upon the other hand he was extremely conscious of the high artistic value of his plays, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from King Lear by William Shakespeare:

spectacles. Edm. I beseech you, sir, pardon me. It is a letter from my brother that I have not all o'er-read; and for so much as I have perus'd, I find it not fit for your o'erlooking. Glou. Give me the letter, sir. Edm. I shall offend, either to detain or give it. The contents, as in part I understand them, are to blame. Glou. Let's see, let's see! Edm. I hope, for my brother's justification, he wrote this but


King Lear