Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Pol Pot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

young, no matter what their ages may be.

I think I am justified in promising that there will be some astonishing revelations about The Magic of Oz in my book for 1919. Always your loving and grateful friend,

L. FRANK BAUM.

Royal Historian of Oz.

"OZCOT" at HOLLYWOOD in CALIFORNIA

1918.


The Tin Woodman of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

going, trip him up."

"Mas'r, let me lone for dat," said Sambo, "I'll tree de coon. Ho, ho, ho!"

This was spoken as Legree was getting on his horse, to go to the neighboring town. That night, as he was returning, he thought he would turn his horse and ride round the quarters, and see if all was safe.

It was a superb moonlight night, and the shadows of the graceful China trees lay minutely pencilled on the turf below, and there was that transparent stillness in the air which it seems almost unholy to disturb. Legree was a little distance from the


Uncle Tom's Cabin
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chance by Joseph Conrad:

precipice seemed somehow to have engaged my responsibility as to this other leap. And so we had still an intimate subject between us to lend more weight and more uneasiness to our silence. The subject of marriage. I use the word not so much in reference to the ceremony itself (I had no doubt of this, Captain Anthony being a decent fellow) or in view of the social institution in general, as to which I have no opinion, but in regard to the human relation. The first two views are not particularly interesting. The ceremony, I suppose, is adequate; the institution, I dare say, is useful or it would not have endured. But the human relation thus recognized is a mysterious thing in its origins, character and consequences.


Chance
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The White Moll by Frank L. Packard:

woman could do to cling to the edge of the cot and sit upright.

"What does all this mean, Nan," she asked tensely; "all those things up there - that money?"

Gypsy Nan forced a twisted smile.

"It means I know how bad I am, or I wouldn't have let you see what you have," she answered heavily. "It means that there isn't any other way. Hurry! Get these things off! Get me dressed!"

But it took a long time. Gypsy Nan seemed with every moment to grow weaker. The lamp on the chair went out for want of oil. There was only the guttering candle in the gin bottle to give light. It threw weird, flickering shadows around the garret; it seemed to