| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Parmenides by Plato: argue that the ideas are not within the range of human knowledge; and you
cannot disprove the assertion without a long and laborious demonstration,
which he may be unable or unwilling to follow. In the first place, neither
you nor any one who maintains the existence of absolute ideas will affirm
that they are subjective.' 'That would be a contradiction.' 'True; and
therefore any relation in these ideas is a relation which concerns
themselves only; and the objects which are named after them, are relative
to one another only, and have nothing to do with the ideas themselves.'
'How do you mean?' said Socrates. 'I may illustrate my meaning in this
way: one of us has a slave; and the idea of a slave in the abstract is
relative to the idea of a master in the abstract; this correspondence of
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Man of Business by Honore de Balzac: (See /La fausse Maitresse/.), was one of the earliest parishioners of
that charming church. At the time to which this story belongs, that
lighthearted and lively damsel gladdened the existence of a notary
with a wife somewhat too bigoted, rigid, and frigid for domestic
happiness.
Now, it so fell out that one Carnival evening Maitre Cardot was
entertaining guests at Mlle. Turquet's house--Desroches the attorney,
Bixiou of the caricatures, Lousteau the journalist, Nathan, and
others; it is quite unnecessary to give any further description of
these personages, all bearers of illustrious names in the /Comedie
Humaine/. Young La Palferine, in spite of his title of Count and his
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson: just what I desire; and I have had some good times walking along
the glaring roads, or down the poplar alley of the great canal,
pitting my own humour to this old verse.
Far have you come, my lady, from the town,
And far from all your sorrows, if you please,
To smell the good sea-winds and hear the seas,
And in green meadows lay your body down.
To find your pale face grow from pale to brown,
Your sad eyes growing brighter by degrees;
Far have you come, my lady, from the town,
And far from all your sorrows, if you please.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierrette by Honore de Balzac: gesture, as there had been, a fortnight earlier, in the sign by which
she told him from her window to run away. Ah! what a fortune he must
make in the coming ten years in order to marry his little friend, to
whom, he was told, the Rogrons were to leave their house, a hundred
acres of land, and twelve thousand francs a year, not counting their
savings!
The persevering Breton was determined to be thoroughly educated for
his trade, and he set about acquiring all the knowledge that he
lacked. As long as only the principles of his work were concerned he
could learn those in Provins as well as in Paris, and thus remain near
Pierrette, to whom he now became anxious to explain his projects and
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