| The first excerpt represents the past or something you must release, and is drawn from Love and Friendship by Jane Austen: extremely sorry to see him unhappy, which I suppose he means to
be if he cannot marry Matilda, as moreover I know that his
circumstances will not allow him to marry any one without a
fortune, and that Matilda's is entirely dependant on her Father,
who will neither have his own inclination nor my permission to
give her anything at present, I thought it would be doing a good-
natured action by my Brother to let him know as much, in order
that he might choose for himself, whether to conquer his passion,
or Love and Despair. Accordingly finding myself this Morning
alone with him in one of the horrid old rooms of this Castle, I
opened the cause to him in the following Manner.
Love and Friendship |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Island of Doctor Moreau by H. G. Wells: and the voice of a human being together. Then another voice,
telling some "Heaven-forsaken idiot" to desist.)
"You were nearly dead," said my interlocutor. "It was a very
near thing, indeed. But I've put some stuff into you now.
Notice your arm's sore? Injections. You've been insensible for nearly
thirty hours."
I thought slowly. (I was distracted now by the yelping of a number
of dogs.) "Am I eligible for solid food?" I asked.
"Thanks to me," he said. "Even now the mutton is boiling."
"Yes," I said with assurance; "I could eat some mutton."
"But," said he with a momentary hesitation, "you know I'm dying to hear
The Island of Doctor Moreau |
The third excerpt represents the future or something you must embrace, and is drawn from One Basket by Edna Ferber: "Get down to business, Leon. I'll tell her how good you are
while you're making up."
He shot her a malignant glance, but took her advice. "Now what
I've been looking for for years is somebody who has got the music
knack to give me the accompaniment just a quarter of a jump ahead
of my voice, see? I can follow like a lamb, but I've got to have
that feeler first. It's more than a knack. It's a gift. And
you've got it. I know it when I see it. I want to get away from
this night-club thing. There's nothing in it for a man of my
talent. I'm gunning for bigger game. But they won't sign me
without a tryout. And when they hear my voice they---- Well, if
One Basket |
