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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Options by O. Henry:

white-winged gulls over a moonlit ocean; and less frequent motor-cars- -sustaining the comparison--hissed through the foaming waves like submarine boats on their jocund, perilous journeys.

Nevada plunged like a wind-driven storm-petrel on her way. She looked up at the ragged sierras of cloud-capped buildings that rose above the streets, shaded by the night lights and the congealed vapors to gray, drab, ashen, lavender, dun, and cerulean tints. They were so like the wintry mountains of her Western home that she felt a satisfaction such as the hundred-thousand-dollar house had seldom brought her.

A policeman caused her to waver on a corner, just by his eye and weight.


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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Woman and Labour by Olive Schreiner:

female is bound organically in two ways to the males of her society: collaterally they are her companions and the co-progenitors with her of the race; but she is also the mother of the males of each succeeding generation, bearing, shaping, and impressing her personality upon them. The males and females of each human society resemble two oxen tethered to one yoke: for a moment one may move slightly forward and the other remain stationary; but they can never move farther from each other than the length of the yoke that binds them; and they must ultimately remain stationary or move forward together. That which the women of one generation are mentally or physically, that by inheritance and education the males of the next tend to be: there can be no movement or change in one sex which will not

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

too, and no one ever attends to him. That's the Memsahib's work, I know; because, when Tsin-ling tried to burn gilt paper before him, she said it was a waste of money, and, if he kept a stick burning very slowly, the Joss wouldn't know the difference. So now we've got the sticks mixed with a lot of glue, and they take half-an-hour longer to burn, and smell stinky. Let alone the smell of the room by itself. No business can get on if they try that sort of thing. The Joss doesn't like it. I can see that. Late at night, sometimes, he turns all sorts of queer colors--blue and green and red--just as he used to do when old Fung-Tching was alive; and he rolls his eyes and stamps his feet like a devil.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alcibiades II by Platonic Imitator:

ALCIBIADES: Indeed, Socrates, I could not answer you without consideration. It seems to me to be a wild thing (The Homeric word margos is said to be here employed in allusion to the quotation from the 'Margites' which Socrates has just made; but it is not used in the sense which it has in Homer.) to make such a request; a man must be very careful lest he pray for evil under the idea that he is asking for good, when shortly after he may have to recall his prayer, and, as you were saying, demand the opposite of what he at first requested.

SOCRATES: And was not the poet whose words I originally quoted wiser than we are, when he bade us (pray God) to defend us from evil even though we asked for it?