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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli:

French. Having restored his authority, not to leave it at risk by trusting either to the French or other outside forces, he had recourse to his wiles, and he knew so well how to conceal his mind that, by the mediation of Signor Pagolo--whom the duke did not fail to secure with all kinds of attention, giving him money, apparel, and horses--the Orsini were reconciled, so that their simplicity brought them into his power at Sinigalia.[*] Having exterminated the leaders, and turned their partisans into his friends, the duke laid sufficiently good foundations to his power, having all the Romagna and the Duchy of Urbino; and the people now beginning to appreciate their prosperity, he gained them all over to himself. And as this point is worthy of


The Prince
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato:

feminine jealousy of a similar kind. But there is obviously no connection between the manner in which the timocratic State springs out of the ideal, and the mere accident by which the timocratic man is the son of a retired statesman.

The two next stages in the decline of constitutions have even less historical foundation. For there is no trace in Greek history of a polity like the Spartan or Cretan passing into an oligarchy of wealth, or of the oligarchy of wealth passing into a democracy. The order of history appears to be different; first, in the Homeric times there is the royal or patriarchal form of government, which a century or two later was succeeded by an oligarchy of birth rather than of wealth, and in which wealth was


The Republic
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Vicar of Tours by Honore de Balzac:

"Ha!" thought the old man; "you know, my good friend, what that deed contains, but you are not paid to tell us," and he returned the paper to the lawyer.

"Where can I put my things?" cried Birotteau; "my books, my beautiful book-shelves, and pictures, my red furniture, and all my treasures?"

The helpless despair of the poor man thus torn up as it were by the roots was so artless, it showed so plainly the purity of his ways and his ignorance of the things of life, that Madame de Listomere and Mademoiselle de Salomon talked to him and consoled him in the tone which mothers take when they promise a plaything to their children.

"Don't fret about such trifles," they said. "We will find you some

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused.

"What is it? You are not attending to what I say."

"It is true, my friend. I am much worried."

"Why?"

"Because Mademoiselle Cynthia does not take sugar in her coffee."

"What? You cannot be serious?"

"But I am most serious. Ah, there is something there that I do not understand. My instinct was right."

"What instinct?"

"The instinct that led me to insist on examining those


The Mysterious Affair at Styles