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Today's Stichomancy for Rachel Weisz

The first excerpt represents the past or something you must release, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

an antechamber, dining-room, salon, one bed-chamber, and a dressing- room, with two women-servants only.

"Ah! she is devoted to her son," said that clever creature, Madame d'Espard, "and devoted without ostentation; she is happy. Who would ever have believed so frivolous a woman was capable of such persistent resolution! Our good archbishop has, consequently, greatly encouraged her; he is most kind to her, and has just induced the old Comtesse de Cinq-Cygne to pay her a visit."

Let us admit a truth! One must be a queen to know how to abdicate, and to descend with dignity from a lofty position which is never wholly lost. Those only who have an inner consciousness of being nothing in

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vailima Letters by Robert Louis Stevenson:

begin to be haunted with a red-headed man. X. The Wood by Silvermills. XI. On the march again with Alan. XII. Gillane Sands. XIII. The Bass Rock. XIV. Black Andie's Tale of Tod Lapraik. XV. I go to Inveraray.

That is it, as far as drafted. Chapters IV. V. VII. IX. and XIV. I am specially pleased with; the last being an episodical bogie story about the Bass Rock told there by the Keeper.

CHAPTER XVII

MARCH 9TH.

MY DEAR S. C., - Take it not amiss if this is a wretched

The third excerpt represents the future or something you must embrace, and is drawn from Flame and Shadow by Sara Teasdale:

The white flying joy when a song is born, And meadowlarks whistling in silver light.

Driftwood

My forefathers gave me My spirit's shaken flame, The shape of hands, the beat of heart, The letters of my name.

But it was my lovers, And not my sleeping sires, Who gave the flame its changeful And iridescent fires;