|The first excerpt represents the past or something you must release, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:
Unsheath your swords, and try it out by force,
That we may see who hath the better hand.
Thinkst thou to dare me, bold Thrasimachus?
Thinkst thou to fear me with thy taunting braves,
Or do we seem too weak to cope with thee?
Soon shall I shew thee my fine cutting blade,
And with my sword, the messenger of death,
Seal thee an acquitance for thy bold attempts.
[Sound the alarm. Enter Locrine, Assarachus, and a
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Deserted Woman by Honore de Balzac:
nothing, digesting one of those exquisite dinners to which the
provincial looks forward all through the day, found himself justifying
the customs of the country.
He began to understand why these good folk continued to play with
yesterday's pack of cards and shuffle them on a threadbare tablecloth,
and how it was that they had ceased to dress for themselves or others.
He saw the glimmerings of something like a philosophy in the even
tenor of their perpetual round, in the calm of their methodical
monotony, in their ignorance of the refinements of luxury. Indeed, he
almost came to think that luxury profited nothing; and even now, the
city of Paris, with its passions, storms, and pleasures, was scarcely
|The third excerpt represents the future or something you must embrace, and is drawn from Romeo and Juliet by William Shakespeare:
prayer or two & sleepes againe: this is that very Mab that
plats the manes of Horses in the night: & bakes the Elklocks
in foule sluttish haires, which once vntangled, much
This is the hag, when Maides lie on their backs,
That presses them, and learnes them first to beare,
Making them women of good carriage:
This is she
Rom. Peace, peace, Mercutio peace,
Thou talk'st of nothing
Mer. True, I talke of dreames:
Romeo and Juliet