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Today's Stichomancy for Ray Bradbury

The first excerpt represents the past or something you must release, and is drawn from The Mountains by Stewart Edward White:

language is capable.

The third route is called "Hell's Half Mile." It is not misnamed.

Thus like paradise the canon is guarded; but like paradise it is wondrous in delight. For when you descend you find that the tape-wide trickle of water seen from above has become a river with profound darkling pools and placid stretches and swift dashing rapids; that the dark green sluggish flow in the canon-bed has disintegrated into a noble forest with great pine-trees, and shaded aisles, and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

Till the wind became a whirlwind, Till the sand was blown and sifted Like great snowdrifts o'er the landscape, Heaping all the shores with Sand Dunes, Sand Hills of the Nagow Wudjoo! Thus the merry Pau-Puk-Keewis Danced his Beggar's Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey-feathers.

The third excerpt represents the future or something you must embrace, and is drawn from Roads of Destiny by O. Henry:

and grown-up playmates, than to be "Your Honour," and sit among strangers, hearing, maybe, through the arguments of learned counsel, that old man's feeble voice crying: "What would I do without you, my son?"

Billy began to surprise his acquaintances by whistling as he walked up the street; others he astounded by slapping them disrespectfully upon their backs and raking up old anecdotes he had not had the time to recollect for years. Though he hammered away at his law cases as thoroughly as ever, he found more time for relaxation and the company of his friends. Some of the younger set were actually after him to join the golf club. A striking proof of his abandonment to obscurity