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Today's Stichomancy for Ray Bradbury

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Altar of the Dead by Henry James:

"You'll think I was deceitful. But I didn't need to be!"

He was now on the lower door-step, and his hostess held the door half-closed behind him. Through what remained of the opening he saw her framed face. He made a supreme appeal. "What DID he do to you?"

"It would have come out - SHE would have told you. That fear at my heart - that was my reason!" And she closed the door, shutting him out.

CHAPTER VIII.

HE had ruthlessly abandoned her - that of course was what he had done. Stransom made it all out in solitude, at leisure, fitting

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Othello by William Shakespeare:

I thanke you for this profit, and from hence Ile loue no Friend, sith Loue breeds such offence

Oth. Nay stay: thou should'st be honest

Iago. I should be wise; for Honestie's a Foole, And looses that it workes for

Oth. By the World, I thinke my Wife be honest, and thinke she is not: I thinke that thou art iust, and thinke thou art not: Ile haue some proofe. My name that was as fresh As Dians Visage, is now begrim'd and blacke As mine owne face. If there be Cords, or Kniues,


Othello
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

eat their dinner and to hold a consultation. "Why can't we leave now?" said one. "Very soon we shall be reduced to nothing. Already we are almost worked to death--there being no rest, night or day, either for us or our poor women. If anything should be done in a way not exactly to please him he will find fault and perhaps flog some of us to death--as was the case with poor Simeon, whom he killed not long ago. Only recently Anisim was tortured in irons till he died. We certainly cannot stand this much longer." "Yes," said another, "what is the use of waiting? Let us act at once. Michael will be here this evening, and will be certain to abuse us shamefully. Let us, then, thrust him from


The Kreutzer Sonata
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac:

a little wall, in a recess of which she was now hidden. She took no notice at first of the cramped position in which she was, but before long the pain of it became intolerable, for she was bending double under the arched opening of a vault, like the crouching Venus which ignorant persons attempt to squeeze into too narrow a niche. The wall, which was rather thick and built of granite, formed a low partition between the stairway and the cellar whence the groans were issuing. Presently she saw an individual, clothed in a goatskin, enter the cave beneath her, and move about, without making any sign of eager search. Impatient to discover if she had any chance of safety, Mademoiselle de Verneuil waited with anxiety till the light brought by the new-comer


The Chouans