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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the past or something you must release, and is drawn from The Spirit of the Border by Zane Grey:

looked blankly at one another. They both remembered Edward's presentiment. Mr. Wells uttered an angry exclamation.

"You ask us to fail in our duty? No, never! To go back to the white settlements and acknowledge we were afraid to continue teaching the Gospel to the Indians! You can not understand Christianity if you advise that. You have no religion. You are a killer of Indians."

A shadow that might have been one of pain flitted over the hunter's face.

"No, I ain't a Christian, an' I am a killer of Injuns," said Wetzel, and his deep voice had a strange tremor. "I don't know nothin' much 'cept the woods an' fields, an' if there's a God fer me He's out thar under the trees an' grass. Mr. Wells, you're the first man as ever called me a coward, an' I

The Spirit of the Border
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mansfield Park by Jane Austen:

governed by motives of selfishness and worldly wisdom. These were reflections that required some time to soften; but time will do almost everything; and though little comfort arose on Mrs. Rushworth's side for the misery she had occasioned, comfort was to be found greater than he had supposed in his other children. Julia's match became a less desperate business than he had considered it at first. She was humble, and wishing to be forgiven; and Mr. Yates, desirous of being really received into the family, was disposed to look up to him and be guided. He was not very solid; but there was a hope of his becoming less trifling,

Mansfield Park
The third excerpt represents the future or something you must embrace, and is drawn from From the Earth to the Moon by Jules Verne:

places in the projectile! The necessary operations for the descent, and the subsequent removal of the cranes and scaffolding that inclined over the mouth of the Columbiad, required a certain period of time.

Barbicane had regulated his chronometer to the tenth part of a second by that of Murchison the engineer, who was charged with the duty of firing the gun by means of an electric spark. Thus the travelers enclosed within the projectile were enabled to follow with their eyes the impassive needle which marked the precise moment of their departure.

The moment had arrived for saying "good-by!" The scene was a

From the Earth to the Moon