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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Hers by thy beauty tempting her to thee, Thine by thy beauty being false to me.

XLII

That thou hast her it is not all my grief, And yet it may be said I loved her dearly; That she hath thee is of my wailing chief, A loss in love that touches me more nearly. Loving offenders thus I will excuse ye: Thou dost love her, because thou know'st I love her; And for my sake even so doth she abuse me, Suffering my friend for my sake to approve her.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

irregular square is filled with poor-looking houses crowded one against the other, and divided here and there by streets so narrow that two persons cannot walk abreast. This section of the town, a sort of cour des Miracles, was occupied by poor people or persons working at trades that were little remunerative,--a population living in hovels, and buildings called picturesquely by the familiar term of "blind houses." From the earliest ages this has no doubt been an accursed quarter, the haunt of evil-doers; in fact one thoroughfare is named "the street of the Executioner." For more than five centuries it has been customary for the executioner to have a red door at the entrance of his house. The assistant of the executioner of Chateauroux

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Mirth by Edith Wharton:

conscious of taking a luxurious pleasure in her nearness: in the modelling of her little ear, the crisp upward wave of her hair--was it ever so slightly brightened by art?--and the thick planting of her straight black lashes. Everything about her was at once vigorous and exquisite, at once strong and fine. He had a confused sense that she must have cost a great deal to make, that a great many dull and ugly people must, in some mysterious way, have been sacrificed to produce her. He was aware that the qualities distinguishing her from the herd of her sex were chiefly external: as though a fine glaze of beauty and fastidiousness had been applied to vulgar clay. Yet the analogy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Arizona Nights by Stewart Edward White:

be observed among the adventurous, settled luxuriously into the state of being a married man. Its smallest details gave him distinct and separate sensations of pleasure. "I plumb likes it all," he said. "I likes havin' interest in some fool geranium plant, and I likes worryin' about the screen doors and all the rest of the plumb foolishness. It does me good. It feels like stretchin' your legs in front of a good warm fire." The centre, the compelling influence of this new state of affairs, was undoubtedly Estrella, and yet it is equally to be