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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the past or something you must release, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

poleetical. Ye must never ask me anything poleetical, Erchie. Your faither is a great man, my dear, and it's no for me or you to be judging him. It would be telling us all, if we behaved ourselves in our several stations the way your faither does in his high office; and let me hear no more of any such disrespectful and undutiful questions! No that you meant to be undutiful, my lamb; your mother kens that - she kens it well, dearie!" And so slid off to safer topics, and left on the mind of the child an obscure but ineradicable sense of something wrong.

Mrs. Weir's philosophy of life was summed in one expression - tenderness. In her view of the universe, which was all lighted up with a glow out of the doors of hell, good people must walk there in a kind

The second excerpt represents the present or the deciding factor of the moment, and is drawn from One Basket by Edna Ferber:

back while a great wave of depression swept over him. Nothing to get up for. Store clothes on the chair by the bed. He was taking it easy.

Back home on the farm in southern Illinois he had known the hour the instant his eyes opened. Here the flat next door was so close that the bed- room was in twilight even at midday. On the farm he could tell by the feeling--an intangible thing, but infallible. He could gauge the very quality of the blackness that comes just before dawn. The crowing of the cocks, the stamping of the cattle, the twittering of the birds in the old elm whose branches were etched eerily against his window in the


One Basket
The third excerpt represents the future or something you must embrace, and is drawn from American Notes by Rudyard Kipling:

"back-talk" of the Palmer House bar, the slang of the barber-shops, the mental elevation and integrity of the Pullman car porter, the dignity of the dime museum, and the accuracy of the excited fish-wife. I am sternly forbidden to believe that the paper educates the public. Then I am compelled to believe that the public educate the paper; yet suicides on the press are rare.

Just when the sense of unreality and oppression was strongest upon me, and when I most wanted help, a man sat at my side and began to talk what he called politics.

I had chanced to pay about six shillings for a travelling-cap