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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Emerald City of Oz by L. Frank Baum:

longer necessary, hurried forward to see what had happened.

After the clatter an intense stillness reigned in the town. The strangers entered the first house they came to, which was also the largest, and found the floor strewn with pieces of the people who lived there. They looked much like fragments of wood neatly painted, and were of all sorts of curious and fantastic shapes, no two pieces being in any way alike.

They picked up some of these pieces and looked at them carefully. On one which Dorothy held was an eye, which looked at her pleasantly but with an interested expression, as if it wondered what she was going to do with it. Quite near by she discovered and picked up a nose, and by


The Emerald City of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Personal Record by Joseph Conrad:

on the evening before I began to write myself. I believe it was a novel, and it is quite possible that it was one of Anthony Trollope's novels. It is very likely. My acquaintance with him was then very recent. He is one of the English novelists whose works I read for the first time in English. With men of European reputation, with Dickens and Walter Scott and Thackeray, it was otherwise. My first introduction to English imaginative literature was "Nicholas Nickleby." It is extraordinary how well Mrs. Nickleby could chatter disconnectedly in Polish and the sinister Ralph rage in that language. As to the Crummles family and the family of the learned Squeers it seemed as natural to


A Personal Record
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tom Sawyer Abroad by Mark Twain:

stand no watch, but all turned in and slept; but I was up two or three times to look down at the animals and hear the music. It was like having a front seat at a menagerie for nothing, which I hadn't ever had before, and so it seemed foolish to sleep and not make the most of it; I mightn't ever have such a chance again.

We went a-fishing again in the early dawn, and then lazied around all day in the deep shade on an island, taking turn about to watch and see that none of the animals come a-snooping around there after erronorts

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierre Grassou by Honore de Balzac:

Schinner's, to learn the secrets of the powerful and magnificent color which distinguishes that master. Master and scholars were all discreet; at any rate Pierre discovered none of their secrets. From there he went to Sommervieux' atelier, to acquire that portion of the art of painting which is called composition, but composition was shy and distant to him. Then he tried to snatch from Decamps and Granet the mystery of their interior effects. The two masters were not robbed. Finally Fougeres ended his education with Duval-Lecamus. During these studied and these different transformations Fougeres' habits and ways of life were tranquil and moral to a degree that furnished matter of jesting to the various ateliers where he