Today's Stichomancy for Rene Magritte

Soc. And suppose in connection with the same, I next point out to you[3] two other sets of persons:--The first possessors of furniture of various kinds, which they cannot, however, lay their hands on when the need arises; indeed they hardly know if they have got all safe and sound or not: whereby they put themselves and their domestics to much mental torture. The others are perhaps less amply, or at any rate not more amply supplied, but they have everything ready at the instant for immediate use.

[3] "As in a mirror, or a picture."

Crit. Yes, Socrates, and is not the reason simply that in the first case everything is thrown down where it chanced, whereas those others

herself and makes a few honest folk now and again, and now and then a cashier.

Wherefore, that race of corsairs whom we dignify with the title of bankers, the gentry who take out a license for which they pay a thousand crowns, as the privateer takes out his letters of marque, hold these rare products of the incubations of virtue in such esteem that they confine them in cages in their counting-houses, much as governments procure and maintain specimens of strange beasts at their own charges.

If the cashier is possessed of an imagination or of a fervid temperament; if, as will sometimes happen to the most complete

with soda biscuits, flanked them; two tremendous coffee pots stood guard at either end. We picked us each a tin cup and a tin plate from the box at the rear of the chuck wagon; helped ourselves from a dutch oven, a pail, and a coffee pot, and squatted on our heels as close to the fire as possible. Men who came too late borrowed the shovel, scooped up some coals, and so started little fires of their own about which new groups formed. While we ate, the eastern sky lightened. The mountains under the dawn looked like silhouettes cut from slate-coloured paper; those in the west showed faintly luminous. Objects about us became

The next and following days Hippolyte threw himself into his work, and to try to conquer his passion by the swift rush of ideas and the ardor of composition. He half succeeded. Study consoled him, though it could not smother the memories of so many tender hours spent with Adelaide.

One evening, as he left his studio, he saw the door of the ladies' rooms half open. Somebody was standing in the recess of the window, and the position of the door and the staircase made it impossible that the painter should pass without seeing Adelaide. He bowed coldly, with a glance of supreme indifference; but judging of the girl's suffering by his own, he felt an inward