Today's Stichomancy for Rene Magritte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Arcturus by David Lindsay:

her features were strong, her eyes gleamed with the consciousness of power. She was tall and slight, but slow in all her gestures and movements. Her face was not beautiful. It was long, and palely lighted, while the mouth crossed the lower half like a gash of fire. The lips were as voluptuous as before. Her brows were heavy. There was nothing vulgar in her - she looked the kingliest of all women. She appeared not more than twenty-five.

Growing tired, apparently, of his scrutiny, she pushed him a little way and allowed her arm to drop, at the same time curving her mouth into a long, bowlike smile. "Whom have I to thank for this gift of life?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beauty and The Beast by Bayard Taylor:

Franklin--gave her the secret principle by which the politics of men are directed. Her house in Whittletown was the half of a double frame building, and the rear-end of the other part was the private office of--but no, I will not mention the name--a lawyer and a politician. He was known as a "wirepuller," and the other wire-pullers of his party used to meet in his office and discuss matters. Mrs. Whiston always asserted that there was a mouse-hole through the partition; but she had energy enough to have made a hole herself, for the sake of the cause.

She never would tell us all she overheard. "It is enough," she would say, "that I know how the thing is done."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac:

to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow contemplative, stand a few paces back from the pictures on which they can no longer work, and pass judgement on them, rapt by the subject whose most recondite meaning then flashes on the inner eye of genius. He who has never stood pensive by a friend's side in such an hour of poetic dreaming can hardly understand its inexpressible soothingness. Favored by the clear-obscure, the material skill employed by art to produce illusion entirely disappears. If the work is a picture, the figures represented seem to speak and walk; the shade is shadow, the light is day;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

of them, are certain or assured of their own blessedness, though we may be quite certain of it.

20. Therefore by "full remission of all penalties" the pope means not actually "of all," but only of those imposed by himself.

21. Therefore those preachers of indulgences are in error, who say that by the pope's indulgences a man is freed from every penalty, and saved;

22. Whereas he remits to souls in purgatory no penalty which, according to the canons, they would have had to pay in this life.