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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twelve Stories and a Dream by H. G. Wells:

abashed and awkward, the ghost of a weak, silly, aimless young man. 'I'm haunting,' he said.

"'You haven't any business to,' I said in a quiet voice.

"'I'm a ghost,' he said, as if in defence.

"'That may be, but you haven't any business to haunt here. This is a respectable private club; people often stop here with nursemaids and children, and, going about in the careless way you do, some poor little mite could easily come upon you and be scared out of her wits. I suppose you didn't think of that?'

"'No, sir,' he said, 'I didn't.'

"'You should have done. You haven't any claim on the place, have you?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

animation. Especially were we apprehensive concerning the mind and impulses of the creature, since in the space following death some of the more delicate cerebral cells might well have suffered deterioration. I, myself, still held some curious notions about the traditional "soul" of man, and felt an awe at the secrets that might be told by one returning from the dead. I wondered what sights this placid youth might have seen in inaccessible spheres, and what he could relate if fully restored to life. But my wonder was not overwhelming, since for the most part I shared the materialism of my friend. He was calmer than I as he forced a large quantity of his fluid into a vein of the body’s arm, immediately


Herbert West: Reanimator
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fables by Robert Louis Stevenson:

of accident to which my paint is quite inapplicable. Sin, my dear young friend, sin is the sole calamity that a wise man should apprehend; it is against sin that I have fitted you out; and when you come to be tempted, you will give me news of my paint."

"Oh!" said the young man, "I did not understand that, and it seems rather disappointing. But I have no doubt all is for the best; and in the meanwhile, I shall be obliged to you if you will set my leg."

"That is none of my business," said the physician; "but if your bearers will carry you round the corner to the surgeon's, I feel sure he will afford relief."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

There they were--Celis, Alima, Ellador--looking just as they had when we first saw them, standing a little way off from us, as interested, as mischievous as three schoolboys.

"Hold on, Terry--hold on!" I warned. "That's too easy. Look out for a trap."

"Let us appeal to their kind hearts," Jeff urged. "I think they will help us. Perhaps they've got knives."

"It's no use rushing them, anyhow," I was absolutely holding on to Terry. "We know they can out-run and out-climb us."

He reluctantly admitted this; and after a brief parley among ourselves, we all advanced slowly toward them, holding out our


Herland