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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Blue Flower by Henry van Dyke:

iridescent light, full of shifting gleams of azure and rose, trembled upon its surface. It seemed to have absorbed some reflection of the lost sapphire and ruby. So the secret purpose of a noble life draws into itself the memories of past joy and past sorrow. All that has helped it, all that has hindered it, is transfused by a subtle magic into its very essence. It becomes more luminous and precious the longer it is carried close to the warmth of the beating heart.

Then, at last, while I was thinking of this pearl, and of its meaning, I heard the end of the story of the Other Wise Man.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexandria and her Schools by Charles Kingsley:

the world was his country, and was no doubt excellent after-dinner company for the great king. Hegesias, his fellow Cyrenaic, was a man of a darker and more melancholic temperament; and while Theodorus contented himself with preaching a comfortable selfishness, and obtaining pleasure, made it rather his study to avoid pain. Doubtless both their theories were popular enough at Alexandria, as they were in France during the analogous period, the Siecle Louis Quinze. The "Contrat Social," and the rest of their doctrines, moral and metaphysical, will always have their admirers on earth, as long as that variety of the human species exists for whose especial behoof Theodorus held that laws were made; and the whole form of thought met with great approbation in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Turn of the Screw by Henry James:

boundless chatter, for everything; but there had been matters in his life-- strange passages and perils, secret disorders, vices more than suspected-- that would have accounted for a good deal more.

I scarce know how to put my story into words that shall be a credible picture of my state of mind; but I was in these days literally able to find a joy in the extraordinary flight of heroism the occasion demanded of me. I now saw that I had been asked for a service admirable and difficult; and there would be a greatness in letting it be seen--oh, in the right quarter!-- that I could succeed where many another girl might have failed. It was an immense help to me--I confess I rather applaud myself

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life in the Iron-Mills by Rebecca Davis:

see the red shining of the drops, it was so near. In one minute he could be down there. It was just a step. So easy, as it seemed, so natural to go! Yet it could never be--not in all the thousands of years to come--that he should put his foot on that street again! He thought of himself with a sorrowful pity, as of some one else. There was a dog down in the market, walking after his master with such a stately, grave look!--only a dog, yet he could go backwards and forwards just as he pleased: he had good luck! Why, the very vilest cur, yelping there in the gutter, had not lived his life, had been free to act out whatever thought God had put into his brain; while he--No, he


Life in the Iron-Mills