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Today's Stichomancy for Richard Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eryxias by Platonic Imitator:

all these, in your opinion, necessary in order to carry out the work?

CRITIAS: We may fairly suppose such to be the case.

SOCRATES: And if a man has food and drink and clothes and the other things which are useful to the body, would he need gold or silver or any other means by which he could procure that which he now has?

CRITIAS: I do not think so.

SOCRATES: Then you consider that a man never wants any of these things for the use of the body?

CRITIAS: Certainly not.

SOCRATES: And if they appear useless to this end, ought they not always to appear useless? For we have already laid down the principle that things

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Desert Gold by Zane Grey:

against a pile of wood, which he had collected, and his gloomy gaze pierced the campfire, and at long intervals strayed over the motionless form of the Spanish girl.

The rangers and Thorne, however, talked in low tones. It was absolutely impossible for Rojas and his men to reach the waterhole before noon of the next day. And long before that time the fugitives would have decided on a plan of defense. What that defense would be, and where it would be made, were matters over which the men considered gravely. Ladd averred the Yaqui would put them into an impregnable position, that at the same time would prove a death-trap for their pursuers. They exhausted every possibility,


Desert Gold
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

question of Socrates, 'What is that which we suppose to be immortal?' Is it the personal and individual element in us, or the spiritual and universal? Is it the principle of knowledge or of goodness, or the union of the two? Is it the mere force of life which is determined to be, or the consciousness of self which cannot be got rid of, or the fire of genius which refuses to be extinguished? Or is there a hidden being which is allied to the Author of all existence, who is because he is perfect, and to whom our ideas of perfection give us a title to belong? Whatever answer is given by us to these questions, there still remains the necessity of allowing the permanence of evil, if not for ever, at any rate for a time, in order that the wicked 'may not have too good a bargain.' For the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Around the World in 80 Days by Jules Verne:

his home, only paying brief visits to England at rare intervals; and was almost as familiar as a native with the customs, history, and character of India and its people. But Phileas Fogg, who was not travelling, but only describing a circumference, took no pains to inquire into these subjects; he was a solid body, traversing an orbit around the terrestrial globe, according to the laws of rational mechanics. He was at this moment calculating in his mind the number of hours spent since his departure from London, and, had it been in his nature to make a useless demonstration, would have rubbed his hands for satisfaction. Sir Francis Cromarty had observed the oddity of his travelling companion--although the


Around the World in 80 Days