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Today's Stichomancy for Richard Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pivot of Civilization by Margaret Sanger:

such words carry no weight with those who can bring free and keen as well as noble minds to the consideration of the matter. To them the idealism of such an utterance appears crude and cruel. The menace to civilization of such orthodoxy, if it be orthodoxy, lies in the fact that its powerful exponents may be fore a time successful not merely in influencing the conduct of their adherents but in checking freedom of thought and discussion. To this, with all the vehemence of emphasis at our command, we object. From what Archbishop Hayes believes concerning the future blessedness in Heaven of the souls of those who are born into this world as hideous and misshapen beings he has a right to seek such consolation as may be obtained; but we who

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

the port where so much of the world's work and the world's thinking is being done becomes insignificant, scattered, streaming away in thin lines of ships stringing themselves out into the eastern quarter through the various navigable channels of which the Nore lightship marks the divergence. The coasting traffic inclines to the north; the deep-water ships steer east with a southern inclination, on through the Downs, to the most remote ends of the world. In the widening of the shores sinking low in the gray, smoky distances the greatness of the sea receives the mercantile fleet of good ships that London sends out upon the turn of every tide. They follow each other, going very close by the Essex shore.


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

Fijian fan beat scornfully at that lovely bright mane. She supposed Alice had picked up some horrible common larrikin and they'd go off into the bush together. Pity to have made herself so conspicuous; they'd have hard work to hide with Alice in that rig-out.

But no, Beryl was unfair. Alice was going to tea with Mrs Stubbs, who'd sent her an "invite" by the little boy who called for orders. She had taken ever such a liking to Mrs. Stubbs ever since the first time she went to the shop to get something for her mosquitoes.

"Dear heart!" Mrs. Stubbs had clapped her hand to her side. "I never seen anyone so eaten. You might have been attacked by canningbals."

Alice did wish there'd been a bit of life on the road though. Made her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

There are chances and occasions which occur so opportunely in this world that little-minded men refuse them credence, saying they are supernatural, but men of high intellect know them to be true because they could not be invented. One of the chances came to the poor advocate, even the day after that terrible one which had been so sore a trial to him. One of his clients, a man of good renown, who had his audiences with the king, came one morning to the advocate, saying that he required immediately a large sum of money, about 12,000 crowns. To which the artful fellow replied, 12,000 crowns were not so often met at the corner of a street as that which often is seen at the corner of the street; that besides the sureties and guarantees of interest, it


Droll Stories, V. 1