Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Richard Burton

The first excerpt represents the past or something you must release, and is drawn from The Children of the Night by Edwin Arlington Robinson:

Look you, Dominie; look you, and listen! Look in my face, first; search every line there; Mark every feature, -- chin, lip, and forehead! Look in my eyes, and tell me the lesson You read there; measure my nose, and tell me Where I am wanting! A man's nose, Dominie, Is often the cast of his inward spirit; So mark mine well. But why do you smile so? Pity, or what? Is it written all over, This face of mine, with a brute's confession? Nothing but sin there? nothing but hell-scars?

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Menexenus by Plato:

how the Persians, lords of Asia, were enslaving Europe, and how the children of this land, who were our fathers, held them back. Of these I will speak first, and praise their valour, as is meet and fitting. He who would rightly estimate them should place himself in thought at that time, when the whole of Asia was subject to the third king of Persia. The first king, Cyrus, by his valour freed the Persians, who were his countrymen, and subjected the Medes, who were their lords, and he ruled over the rest of Asia, as far as Egypt; and after him came his son, who ruled all the accessible part of Egypt and Libya; the third king was Darius, who extended the land boundaries of the empire to Scythia, and with his fleet held the sea and the islands. None presumed to be his equal; the minds of all men

The third excerpt represents the future or something you must embrace, and is drawn from Within the Tides by Joseph Conrad:

He advanced then towards Miss Moorsom. Posed on the seat on which they had first spoken to each other, it was her turn to watch him coming on. But many of the windows were not lighted that evening. It was dark over there. She appeared to him luminous in her clear dress, a figure without shape, a face without features, awaiting his approach, till he got quite near to her, sat down, and they had exchanged a few insignificant words. Gradually she came out like a magic painting of charm, fascination, and desire, glowing mysteriously on the dark background. Something imperceptible in the lines of her attitude, in the modulations of her voice, seemed to soften that suggestion of calm unconscious pride which enveloped


Within the Tides