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Today's Stichomancy for Richard Wilhelm

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Othello by William Shakespeare:

An Instrument of this your calling backe, Lay not your blame on me: if you haue lost him, I haue lost him too

Othe. Had it pleas'd Heauen, To try me with Affliction, had they rain'd All kind of Sores, and Shames on my bare-head: Steep'd me in pouertie to the very lippes. Giuen to Captiuitie, me, and my vtmost hopes, I should haue found in some place of my Soule A drop of patience. But alas, to make me The fixed Figure for the time of Scorne,


Othello
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Emma McChesney & Co. by Edna Ferber:

In the face of the girl who works, whether she be a spindle-legged errand-girl or a ten-thousand-a-year foreign buyer, you will find both vivacity and depth of expression. What she loses in softness and bloom she gains in a something that peeps from her eyes, that lurks in the corners of her mouth. Emma never tired of studying them--these girls with their firm, slim throats, their lovely faces, their Oriental eyes, and their conscious grace. Often, as she looked, an unaccountable mist of tears would blur her vision.

So that sunny little room whose door was marked "MRS. BUCK" had come to be more than a mere private office for the transaction of


Emma McChesney & Co.
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chronicles of the Canongate by Walter Scott:

defends and illustrates, having been the sites of Druidical temples.] The paintings of the saloon came from abroad, and had some of them much merit. To see the best of them, however, you must be admitted into the very PENETRALIA of the temple, and allowed to draw the tapestry at the upper end of the saloon, and enter Mrs. Martha's own special dressing-room. This was a charming apartment, of which it would be difficult to describe the form, it had so many recesses which were filled up with shelves of ebony and cabinets of japan and ormolu--some for holding books, of which Mrs. Martha had an admirable collection, some for a display of ornamental china, others for shells and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexander's Bridge by Willa Cather:

very pink and white, with a splendid head and a face like fine old lace, somehow,--but perhaps I always think of that because she wore a lace scarf on her hair. She had such a flavor of life about her. She had known Gordon and Livingstone and Beaconsfield when she was young,--every one. She was the first woman of that sort I'd ever known. You know how it is in the West,--old people are poked out of the way. Aunt Eleanor fascinated me as few young women have ever done. I used to go up from


Alexander's Bridge