| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Resurrection by Leo Tolstoy: the village, infected Katusha, and her baby boy had to be sent to
the foundlings' hospital, where, according to the words of the
old woman who took him there, he at once died. When Katusha went
to the midwife she had 127 roubles in all, 27 which she had
earned and 100 given her by her betrayer. When she left she had
but six roubles; she did not know how to keep money, but spent it
on herself, and gave to all who asked. The midwife took 40
roubles for two months' board and attendance, 25 went to get the
baby into the foundlings' hospital, and 40 the midwife borrowed
to buy a cow with. Twenty roubles went just for clothes and
dainties. Having nothing left to live on, Katusha had to look out
Resurrection |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac: "Ah! He is the Master," said the old woman, "but I think it will be
His good pleasure to take us to Himself. Just look at that light down
there . . ." and she nodded her head as she spoke towards the sunset.
Streaks of fiery red glared from behind the masses of crimson-flushed
brown cloud that seemed about to unloose a furious gale. There was a
smothered murmur of the sea, a moaning sound that seemed to come from
the depths, a low warning growl, such as a dog gives when he only
means mischief as yet. After all, Ostend was not far away. Perhaps
painting, like poetry, could not prolong the existence of the picture
presented by sea and sky at that moment beyond the time of its actual
duration. Art demands vehement contrasts, wherefore artists usually
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Apology by Plato: excuse if he spoke in his native tongue, and after the fashion of his
country:--Am I making an unfair request of you? Never mind the manner,
which may or may not be good; but think only of the truth of my words, and
give heed to that: let the speaker speak truly and the judge decide
justly.
And first, I have to reply to the older charges and to my first accusers,
and then I will go on to the later ones. For of old I have had many
accusers, who have accused me falsely to you during many years; and I am
more afraid of them than of Anytus and his associates, who are dangerous,
too, in their own way. But far more dangerous are the others, who began
when you were children, and took possession of your minds with their
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grenadiere by Honore de Balzac: name to the little close) are growing out in the open air. The front
of the house consists of two large windows on either side of a very
rustic-looking house door, and three dormer windows in the roof--a
slate roof with two gables, prodigiously high-pitched in proportion to
the low ground-floor. The house walls are washed with yellow color;
and door, and first-floor shutters, all the Venetian shutters of the
attic windows, all are painted green.
Entering the house, you find yourself in a little lobby with a crooked
staircase straight in front of you. It is a crazy wooden structure,
the spiral balusters are brown with age, and the steps themselves take
a new angle at every turn. The great old-fashioned paneled dining-
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