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Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac:

had amused herself by detaining. On the 15th a summons to pay was served on M. d'Espard, the portress had delivered it at her leisure, and he supposed it to be some misunderstanding, not conceiving of any incivility from a man in whose house he had been living for twelve years. The Marquis was actually seized by a bailiff at the time when his man-servant had gone to carry the money for the rent to the landlord.

This arrest, assiduously reported to the persons with whom he was in treaty for his undertaking, had alarmed some of them who were already doubtful of M. d'Espard's solvency in consequence of the enormous sums which Baron Jeanrenaud and his mother were said to be receiving from

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lily of the Valley by Honore de Balzac:

it, which ended in a point, and transversely wrinkled in crooked lines, gave signs of a life in the open air, but not of any mental activity; it also showed the burden of constant misfortunes, but not of any efforts made to surmount them. His cheekbones, which were brown and prominent amid the general pallor of his skin, showed a physical structure which was likely to ensure him a long life. His hard, light- yellow eye fell upon mine like a ray of wintry sun, bright without warmth, anxious without thought, distrustful without conscious cause. His mouth was violent and domineering, his chin flat and long. Thin and very tall, he had the bearing of a gentleman who relies upon the conventional value of his caste, who knows himself above others by


The Lily of the Valley
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Village Rector by Honore de Balzac:

looked at a distance like scars and gashes. Passing through a gorge stripped of vegetation, she nevertheless admired, in the cleft flanks of the rocky slope, aged chestnuts as erect as the Alpine fir-trees.

The rapidity with which she advanced left her no time to take in all the varied scene, the vast moving sands, the quagmires boasting a few scattered trees, fallen granite boulders, overhanging rocks, shaded valleys, broad open spaces with moss and heather still in bloom (though some was dried), utter solitudes overgrown with juniper and caper-bushes; sometimes uplands with short grass, small spaces enriched by an oozing spring,--in short, much sadness, many splendors, things sweet, things strong, and all the singular aspects of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Foolish Virgin by Thomas Dixon:

takes his life in his hands and drills his way into a house. He finds a fool there who fights. It's not his fault that the man was born a fool, now is it?"

"Mebbe not----"

"Of course not. A burglar kills but one to get his pile, and then only because he must, in self-defence. A big gambling capitalist corners wheat, raises the price of bread and starves a hundred thousand children to death to make his. It's not stained with blood. Every dollar is soaked in it! Who cares?"

"Yeah--who cares?" Nance growled fiercely.