Today's Stichomancy for Ridley Scott

At that Myrtle laughed. "I don't think I look trampled on," said she; and she certainly did not. Pink and white and plump was Myrtle, although she had, to a discerning eye, an expression which denoted extreme nervousness.

This morning of spring, when her husband sat doing nothing, she wore this nervous expression. Her blue eyes looked dark and keen; her forehead was wrinkled; her rosy mouth was set. Myrtle and Christopher were not young people; they were a little past middle age, still far from old in look or

came forward coquettishly to the footlights and curtsied to the audience with infinite grace. The brilliant light, the enthusiasm of a vast multitude, the illusion of the stage, the glamour of a costume which was most attractive for the time, all conspired in that woman's favor. Sarrasine cried aloud with pleasure. He saw before him at that moment the ideal beauty whose perfections he had hitherto sought here and there in nature, taking from one model, often of humble rank, the rounded outline of a shapely leg, from another the contour of the breast; from another her white shoulders; stealing the neck of that young girl, the hands of this woman, and the polished knees of yonder child, but never able to find beneath the cold skies of Paris the rich

A million lighted windows brilliantly Inlay with squares of gold the winter night, But to us standing here there comes the stark Sense of the lives behind each yellow light, And not one wholly joyous, proud, or free.

"I Am Not Yours"

I am not yours, not lost in you, Not lost, although I long to be Lost as a candle lit at noon, Lost as a snowflake in the sea.

You love me, and I find you still