Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twilight Land by Howard Pyle:

dancers he had held the cudgel in his left hand, for he was not wise enough to know that great differences come from little matters. He griped the cudgel in his right hand, and struck the dancers with might and main, just as the old man had done. Crack! crack! crack! one; two; three.

Did they change into piles of gold? Not a bit of it! Each of the dancers drew from under his robe a cudgel as stout and stouter than the one the young man himself held, and, without a word, fell upon him and began to beat and drub him until the dust flew. In vain he hopped and howled and begged for mercy, in vain he tried to defend himself; the three never stopped until he fell to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mother by Owen Wister:

hand, and she--but again I abstain from dwelling upon those circumstances of the engaged which are familiar to you all."

"The change of May into June, and the change of June into July, did not mellow Ethel's bitter feelings. I remember the day after Petunias defaulted on their interest that she exclaimed, 'I hope I shall never meet her!' We always called Mr. Beverly's mother 'she' now. 'For if I were to meet her,' continued Ethel, 'I feel I should say something that I should regret. Oh, Richard, I suppose we shall have to give up that house on Park Avenue!'"

"I put a cheerful and even insular face on the matter, for I could not bear to see Ethel so depressed. But it was hard work for me. Some few of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Confidence by Henry James:

out of the window and without moving.

"You have seen very little of me," she said, presently, turning her illuminated eye on him.

"I have seen enough," Bernard added, smiling. "You must remember that at Baden I saw a good deal of you."

"Yes, but that did n't make you like me. I don't understand."

Bernard stood there a moment, frowning, with his eyes lowered.

"I can imagine that. But I think I can explain."

"Don't explain now," said Angela. "You have said enough; explain some other time." And she went out on the balcony.

Bernard, of course, in a moment was beside her, and, disregarding

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

back, her pure profile detached against the cushions. She was smiling a little over the prospect his last words had opened. Behind her head shivers of sun and shade ran across the striped awning. A row of maples and a privet hedge hid their neighbor's gables, giving them undivided possession of their leafy half-acre; and life, a moment before, had been like their plot of ground, shut off, hedged in from importunities, impenetrably his and hers. Now it seemed to him that every maple-leaf, every privet-bud, was a relentless human gaze, pressing close upon their privacy. It was as though they sat in a brightly lit room, uncurtained from a darkness full of hostile watchers. . . . His wife still smiled;