| The first excerpt represents the past or something you must release, and is drawn from The Republic by Plato: discussed on the basis of proverbial morality by Socrates and Polemarchus--
then caricatured by Thrasymachus and partially explained by Socrates--
reduced to an abstraction by Glaucon and Adeimantus, and having become
invisible in the individual reappears at length in the ideal State which is
constructed by Socrates. The first care of the rulers is to be education,
of which an outline is drawn after the old Hellenic model, providing only
for an improved religion and morality, and more simplicity in music and
gymnastic, a manlier strain of poetry, and greater harmony of the
individual and the State. We are thus led on to the conception of a higher
State, in which 'no man calls anything his own,' and in which there is
neither 'marrying nor giving in marriage,' and 'kings are philosophers' and
The Republic |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maitre Cornelius by Honore de Balzac: --a species of uncompleted suicide which kept him at once in the
miseries of life and in those of death.
Never was a Vice more punished by itself. A miser, locked by accident
into the subterranean strong-room that contains his treasures, has,
like Sardanapalus, the happiness of dying in the midst of his wealth.
But Cornelius, the robber and the robbed, knowing the secret of
neither the one nor the other, possessed and did not possess his
treasure,--a novel, fantastic, but continually terrible torture.
Sometimes, becoming forgetful, he would leave the little gratings of
his door wide open, and then the passers in the street could see that
already wizened man, planted on his two legs in the midst of his
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The third excerpt represents the future or something you must embrace, and is drawn from The Two Brothers by Honore de Balzac: at the Grand Opera, refused the offer, either because she guessed the
colonel's motive, or because she saw how important her independence
would be to her future fortune. For the remainder of this year,
Philippe never came more than twice a month to see his mother. Where
was he? Either at his office, or the theatre, or with Mariette. No
light whatever as to his conduct reached the household of the rue
Mazarin. Giroudeau, Finot, Bixiou, Vernou, Lousteau, saw him leading a
life of pleasure. Philippe shared the gay amusements of Tullia, a
leading singer at the Opera, of Florentine, who took Mariette's place
at the Porte-Saint-Martin, of Florine and Matifat, Coralie and
Camusot. After four o'clock, when he left his office, until midnight,
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