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Today's Stichomancy for Ringo Starr

The first excerpt represents the past or something you must release, and is drawn from War and the Future by H. G. Wells:

and business organisers is manifest to assure the worker of a change of heart and a will to change method. Labour is suspicious, not foolishly but wisely suspicious. But labour is considering it.

"National industrial syndication," say the business organisers.

"Guild socialism," say the workers.

There is also a considerable amount of talking and writing about "profit-sharing" and about giving the workers a share in the business direction. Neither of these ideas appeals to the shrewder heads among the workers. So far as direction goes their disposition is to ask the captain to command the ship. So far as

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

rehearsed under great difficulties. Christmas pieces and plays for the new year were being produced in all directions; and my six actor colleagues were busy people, with engagements in these pieces in addition to their current professional work every night. On several raw winter days stages for rehearsal were unattainable even by the most distinguished applicants; and we shared corridors and saloons with them whilst the stage was given over to children in training for Boxing night. At last we had to rehearse at an hour at which no actor or actress has been out of bed within the memory of man; and we sardonically congratulated one another every morning on our rosy matutinal looks and the

The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

THE MAN. Far from it, Master Warder. I am not the same man two days together: sometimes Adam, sometimes Benvolio, and anon the Ghost.

THE BEEFEATER. _[recoiling]_ A ghost! Angels and ministers of grace defend us!

THE MAN. Well said, Master Warder. With your leave I will set that down in writing; for I have a very poor and unhappy brain for remembrance. _[He takes out his tablets and writes]._ Methinks this is a good scene, with you on your lonely watch, and I approaching like a ghost in the moonlight. Stare not so amazedly at me; but mark what I say. I keep tryst here to-night with a dark lady. She promised to bribe the warder. I gave her the wherewithal: four tickets for the