| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Aspern Papers by Henry James: I was willing to pay the venerable woman with whom my pecuniary dealings
were such a discord twice as much as any other padrona di casa would
have asked, but I was not willing to pay her twenty times as much.
I told her so plainly, and my plainness appeared to have some success,
for she exclaimed, "Very good; you have done what I asked--
you have made an offer!"
"Yes, but not for half a year. Only by the month."
"Oh, I must think of that then." She seemed disappointed
that I would not tie myself to a period, and I guessed that she
wished both to secure me and to discourage me; to say severely,
"Do you dream that you can get off with less than six months?
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Meno by Plato: fierce conflict; at length the animal principle is finally overpowered,
though not extinguished, by the combined energies of the passionate and
rational elements. This is one of those passages in Plato which, partaking
both of a philosophical and poetical character, is necessarily indistinct
and inconsistent. The magnificent figure under which the nature of the
soul is described has not much to do with the popular doctrine of the
ideas. Yet there is one little trait in the description which shows that
they are present to Plato's mind, namely, the remark that the soul, which
had seen truths in the form of the universal, cannot again return to the
nature of an animal.
In the Phaedo, as in the Meno, the origin of ideas is sought for in a
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lucile by Owen Meredith: Himself of the letter, changed color, and tore
The page open and read.
Ere a moment was o'er
His whole aspect changed. A light rose to his eyes,
And a smile to his lips. While with startled surprise
Lord Alfred yet watch'd him, he turn'd on his heel,
And said gayly, "A pressing request from Lucile!
You are quite right, Lord Alfred! fair rivals at worst,
Our relative place may perchance be reversed.
You are not accepted,--nor free to propose!
I, perchance, am accepted already; who knows?
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Woodlanders by Thomas Hardy: strong desire, though in direct antagonism to a better feeling
which had hitherto prevailed with him, and had, indeed, only
succumbed that morning during the ramble.
She wished that she was not his worldly hope; the responsibility
of such a position was too great. She had made it for herself
mainly by her appearance and attractive behavior to him since her
return. "If I had only come home in a shabby dress, and tried to
speak roughly, this might not have happened," she thought. She
deplored less the fact than the sad possibilities that might lie
hidden therein.
Her father then insisted upon her looking over his checkbook and
 The Woodlanders |