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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the past or something you must release, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

35. They preach no Christian doctrine who teach that contrition is not necessary in those who intend to buy souls out of purgatory or to buy confessionalia.

36. Every truly repentant Christian has a right to full remission of penalty and guilt, even without letters of pardon.

37. Every true Christian, whether living or dead, has part in all the blessings of Christ and the Church; and this is granted him by God, even without letters of pardon.

38. Nevertheless, the remission and participation [in the blessings of the Church] which are granted by the pope are in

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

principles would be gratified, he turned pale and grew sick, as if something monstrous and unnatural had been presented to him. This horror was partly owing to the size and terrible energy of the iron laborer; for the character of Owen's mind was microscopic, and tended naturally to the minute, in accordance with his diminutive frame and the marvellous smallness and delicate power of his fingers. Not that his sense of beauty was thereby diminished into a sense of prettiness. The beautiful idea has no relation to size, and may be as perfectly developed in a space too minute for any but microscopic investigation as within the ample verge that is measured by the arc of the rainbow. But,


Mosses From An Old Manse
The third excerpt represents the future or something you must embrace, and is drawn from Ferragus by Honore de Balzac:

toilsome poverty before his marriage, Jules had made for himself a true friend. The extreme delicacy with which he had managed the susceptibilities of a man both poor and modest; the respect with which he had surrounded him; the ingenious cleverness he had employed to nobly compel him to share his opulence without permitting it to make him blush, increased their friendship. Jacquet continued faithful to Desmarets in spite of his wealth.

Jacquet, a nobly upright man, a toiler, austere in his morals, had slowly made his way in that particular ministry which develops both honesty and knavery at the same time. A clerk in the ministry of Foreign Affairs, he had charge of the most delicate division of its


Ferragus