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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

seemed to be progressing slowly toward higher standards of intelligence. Into the hands of such, he realized, he had fallen; but--what were their intentions toward him?

As he glanced about the courtyard, he saw fully fifty of the hideous beasts, squatting on their haunches, and at a little distance from him another human being, closely guarded.

As his eyes met those of his fellow-captive a smile lit the other's face, and: "Kaor, red man!" burst from his lips. It was Kar Komak, the bowman.

"Kaor!" cried Carthoris, in response. "How came you


Thuvia, Maid of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

you will use up many a crayon and spoil many a canvas before you reach that height. Undoubtedly a woman carries her head this way and her petticoats that way; her eyes soften and droop with just that look of resigned gentleness; the throbbing shadow of the eyelashes falls exactly thus upon her cheek. That is it, and--that is NOT IT. What lacks? A mere nothing; but that mere nothing is ALL. You have given the shadow of life, but you have not given its fulness, its being, its --I know not what--soul, perhaps, which floats vaporously about the tabernacle of flesh; in short, that flower of life which Raphael and Titian culled. Start from the point you have now attained, and perhaps you may yet paint a worthy picture; you grew weary too soon.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

stand aside and wait the event with that unhappy courage of the looker-on. He was a good swimmer, and taught them to swim. He thoroughly loved all manly exercises; and during their holidays, and principally in the Highlands, helped and encouraged them to excel in as many as possible: to shoot, to fish, to walk, to pull an oar, to hand, reef and steer, and to run a steam launch. In all of these, and in all parts of Highland life, he shared delightedly. He was well onto forty when he took once more to shooting, he was forty-three when he killed his first salmon, but no boy could have more single-mindedly rejoiced in these pursuits. His growing love for the Highland character, perhaps also a sense of the difficulty

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Lover's Complaint by William Shakespeare:

That's to you sworn, to none was ever said; For feasts of love I have been call'd unto, Till now did ne'er invite, nor never woo.

'All my offences that abroad you see Are errors of the blood, none of the mind; Love made them not; with acture they may be, Where neither party is nor true nor kind: They sought their shame that so their shame did find; And so much less of shame in me remains, By how much of me their reproach contains.

'Among the many that mine eyes have seen,