| The first excerpt represents the past or something you must release, and is drawn from The Human Drift by Jack London: BILLY. [Ignoring the appeal and pressing home the point.] The
thing is, do you want to marry me? [He looks at his watch.] Just
answer that.
LORETTA. Aren't you afraid you'll miss that train?
BILLY. Darn the train!
LORETTA. [Reprovingly.] Oh, Billy!
BILLY. [Most irascibly.] Darn isn't swearing. [Plaintively.]
That's the way you always put me off. I didn't come all the way
here for a train. I came for you. Now just answer me one thing.
Do you want to marry me?
LORETTA. [Firmly.] No, I don't want to marry you.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Agnes Grey by Anne Bronte: transits to and from the pulpit and the communion-table, there was
more of solemn pomp, and less of that irreverent, self-confident,
or rather self-delighted imperiousness with which he usually swept
along - that air that seemed to say, 'You all reverence and adore
me, I know; but if anyone does not, I defy him to the teeth!' But
the most remarkable change was, that he never once suffered his
eyes to wander in the direction of Mr. Murray's pew, and did not
leave the church till we were gone.
Mr. Hatfield had doubtless received a very severe blow; but his
pride impelled him to use every effort to conceal the effects of
it. He had been disappointed in his certain hope of obtaining not
 Agnes Grey |
The third excerpt represents the future or something you must embrace, and is drawn from The Legend of Sleepy Hollow by Washington Irving: #STARTMARK#
THE LEGEND OF SLEEPY HOLLOW
by Washington Irving
Found among the papers of the late Diedrech Knickerbocker.
A pleasing land of drowsy head it was,
Of dreams that wave before the half-shut eye;
And of gay castles in the clouds that pass,
Forever flushing round a summer sky.
Castle of Indolence.
In the bosom of one of those spacious coves which indent the
eastern shore of the Hudson, at that broad expansion of the river
 The Legend of Sleepy Hollow |