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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

The military police of Guard Post 8 remained at that post, 400 meters east of the Base Camp (9).

An evacuation detachment of between 144 and 160 officers and enlisted men was stationed near Guard Post 2, about 14 kilometers northwest of ground zero. These men were on standby in case ranches and towns beyond the test site had to be evacuated. Five radiological safety monitors were assigned to this detachment. Ninety-four men of the evacuation detachment belonged to Provisional Detachment Number 1, Company "B," of the 9812th Technical Service Unit, Army Corps of Engineers, from LASL. The identity of the remaining evacuation personnel has not been documented (3; 4; 8; 10; 15).

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ursula by Honore de Balzac:

compelled him to keep his bed. In spite of the reserve which always surrounded the doctor's house and kept it from observation, the news of his approaching death spread through the town, and the heirs began to run hither and thither through the streets, like the pearls of a chaplet when the string is broken. Massin called at the house to learn the truth, and was told by Ursula herself that the doctor was in bed. The Nemours doctor had remarked that whenever old Minoret took to his bed he would die; and therefore in spite of the cold, the heirs took their stand in the street, on the square, at their own doorsteps, talking of the event so long looked for, and watching for the moment when the priests should appear, bearing the sacrament, with all the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life in the Iron-Mills by Rebecca Davis:

with an idle, uncertain, vacant stare, just as a child or idiot would do.

"Tryin' to get out, old boy?" laughed Haley. "Them irons will need a crow-bar beside your tin, before you can open 'em."

Wolfe laughed, too, in a senseless way.

"I think I'll get out," he said.

"I believe his brain's touched," said Haley, when he came out.

The puddler scraped away with the tin for half an hour. Still Deborah did not speak. At last she ventured nearer, and touched his arm.

"Blood?" she said, looking at some spots on his coat with a


Life in the Iron-Mills
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac:

caused by a stone which a child throws in, or star-shaped like a pane of glass cracked by a blow; but everywhere very deep, and as close together as the leaves of a closed book. We often see more hideous old men; but what contributed more than aught else to give to the spectre that rose before us the aspect of an artificial creation was the red and white paint with which he glistened. The eyebrows shone in the light with a lustre which disclosed a very well executed bit of painting. Luckily for the eye, saddened by such a mass of ruins, his corpse-like skull was concealed beneath a light wig, with innumerable curls which indicated extraordinary pretensions to elegance. Indeed, the feminine coquettishness of this fantastic apparition was