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Today's Stichomancy for Robert De Niro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

beating upon tom-toms, clapping their hands in time to the steps of the dancers, and joining in the chant of the warriors. In the center of the circle sat Tarzan of the Apes--Waziri, king of the Waziri, for, like his predecessor, he was to take the name of his tribe as his own.

Faster and faster grew the pace of the dancers, louder and louder their wild and savage shouts. The women rose and fell in unison, shrieking now at the tops of their voices. The spears were brandishing fiercely, and as the dancers stooped down and beat their shields upon the hard-tramped earth of the village street the whole sight was as terribly primeval


The Return of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

The gamins in the half-circle became violently agitated. They began to dance about and hoot and yell and jeer. Wide dirty grins spread over each face.

The woman made a furious dash at a particularly outrageous cluster of little boys. They laughed delightedly and scampered off a short distance, calling out over their shoulders to her. She stood tottering on the curb-stone and thundered at them.

"Yeh devil's kids," she howled, shaking red fists. The little boys whooped in glee. As she started up the street they fell in behind and marched uproariously. Occasionally she wheeled about and made charges on them. They ran nimbly out of reach and taunted her.


Maggie: A Girl of the Streets
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

it?' I asked. 'It is this,' was the reply; 'I am not yet fit to say, "Forgive us our trespasses as we forgive those who trespass against us."'

It is with natural reluctance that I touch upon the last prayer of my husband's life. Many have supposed that he showed, in the wording of this prayer, that he had some premonition of his approaching death. I am sure he had no such premonition. It was I who told the assembled family that I felt an impending disaster approaching nearer and nearer. Any Scot will understand that my statement was received seriously. It could not be, we thought, that danger threatened any one within the house; but Mr. Graham

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

and would soon be moored to the basalt quays of the great town bearing that land's name. Toward noon a dark coastline appeared, and before three o'clock there stood out against the north the bulbous domes and fantastic spires of the onyx city. Rare and curious did that archaic city rise above its walls and quays, all of delicate black with scrolls, flutings, and arabesques of inlaid gold. Tall and many-windowed were the houses, and carved on every side with flowers and patterns whose dark symmetries dazzled the eye with a beauty more poignant than light. Some ended in swelling domes that tapered to a point, others in terraced pyramids whereon rose clustered minarets displaying every phase


The Dream-Quest of Unknown Kadath