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Today's Stichomancy for Robert De Niro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla."

"I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense."

"Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, `Are you there?' Three mean `yes' and four `no.' Five mean, `Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five

Anne of Green Gables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

for his guilt, but I cannot believe it - I cannot. He says he is innocent in spite of everything. I believe him. I brought him up, sir; I was like his own mother to him. He never knew any other mother. He never lied to me, not once, when he was a little boy, and I don't believe he'd lie to me now, now that he's a man of forty-five. He says he did not kill John Siders. Oh, I know, even without his saying it, that he would not do such a thing."

"Can you tell us anything more about the murder itself?" questioned Muller gently. "Is there any possibility of suicide? Or was there a robbery?"

"They say it was no suicide, sir, and that there was a large sum of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Big Treasury of Beatrix Potter by Beatrix Potter:

lutestring; stuffs had strange names, and were very expensive in the days of the Tailor of Gloucester.

But although he sewed fine silk for his neighbours, he himself was very, very poor. He cut his coats without waste; according to his embroidered cloth, they were very small ends and snippets that lay about upon the table--"Too narrow breadths for nought--except waistcoats for mice,"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

The mantel fascinated me. Made of wood and carved, the more I looked the more I wondered that I had not noticed before the absurdity of such a mantel in such a place. It was covered with scrolls and panels, and finally, by the merest accident, I pushed one of the panels to the side. It moved easily, revealing a small brass knob.

It is not necessary to detail the fluctuations of hope and despair, and not a little fear of what lay beyond, with which I twisted and turned the knob. It moved, but nothing seemed to happen, and then I discovered the trouble. I pushed the knob vigorously to one side, and the whole mantel swung loose from the

The Circular Staircase