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Today's Stichomancy for Robert Frost

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

I am speaking of comparative strangers, people who are forced to stay a certain time by the eccentricities of trains, and in whose presence you grope about after common interests and shrink back into your shell on finding that you have none. Then a frost slowly settles down on me and I grow each minute more benumbed and speechless, and the babies feel the frost in the air and look vacant, and the callers go through the usual form of wondering who they most take after, generally settling the question by saying that the May baby, who is the beauty, is like her father, and that the two more or less plain ones are the <42> image of me, and this decision, though I know it of old and am sure it is coming,


Elizabeth and her German Garden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

should not be too serious over material, common interests: that to be unpractical was to be a great thing: that one should not bother too much over affairs. The birds didn't, why should man? He is charming when he says, 'Take no thought for the morrow; is not the soul more than meat? is not the body more than raiment?' A Greek might have used the latter phrase. It is full of Greek feeling. But only Christ could have said both, and so summed up life perfectly for us.

His morality is all sympathy, just what morality should be. If the only thing that he ever said had been, 'Her sins are forgiven her because she loved much,' it would have been worth while dying to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lesson of the Master by Henry James:

Paul tried to sound his shining eyes; the strange thing was that he seemed sincere - not a mocking fiend. He turned away, and as he did so heard the Master say something about his giving them all the proof, being the joy of his old age. He faced him again, taking another look. "Do you mean to say you've stopped writing?"

"My dear fellow, of course I have. It's too late. Didn't I tell you?"

"I can't believe it!"

"Of course you can't - with your own talent! No, no; for the rest of my life I shall only read YOU."

"Does she know that - Miss Fancourt?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Juana by Honore de Balzac:

deep interest she had hitherto shown to him as a matter of duty only. If that man had been more consistent in his life; if he had not destroyed by fitful inconstancy and restlessness the forces of a true though excitable sensibility, Juana would doubtless have loved him in the end. Unfortunately, he was a type of those southern natures which are keen in perceptions they cannot follow out; capable of great things over-night, and incapable the next morning; often the victim of their own virtues, and often lucky through their worst passions; admirable men in some respects, when their good qualities are kept to a steady energy by some outward bond. For two years after his retreat from active life Diard was held captive in his home by the softest