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Today's Stichomancy for Robert Oppenheimer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Redheaded Outfield by Zane Grey:

trouble enough in the gauging.

Gillinger wandered around under the ball for what seemed an age. It dropped as swiftly as a rocket shoots upward. Gillinger went forward in a circle, then sidestepped, and threw up his broad hands. He misjudged the ball, and it hit him fairly on the head and bounced almost to where Doran stood at second.

Our big captain wilted. Time was called. But Gillinger, when he came to, refused to leave the game and went back to third with a lump on his


The Redheaded Outfield
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeneid by Virgil:

For, on the right and left, is room to press The foes at hand, or from afar distress; To drive 'em headlong downward, and to pour On their descending backs a stony show'r. Thither young Turnus took the well-known way, Possess'd the pass, and in blind ambush lay.

Meantime Latonian Phoebe, from the skies, Beheld th' approaching war with hateful eyes, And call'd the light-foot Opis to her aid, Her most belov'd and ever-trusty maid; Then with a sigh began: "Camilla goes


Aeneid
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Prince of Bohemia by Honore de Balzac:

festooned and ornate period of the old court of the Valois. In an age as moral as the present, we are bound to regard audacity of this kind sternly; still, at the same time that 'cornet of sugar-plums' may serve to warn young girls of the perils of lingering where fancies, more charming than chastened, come thickly from the first; on the rosy flowery unguarded slopes, where trespasses ripen into errors full of equivocal effervescence, into too palpitating issues. The anecdote puts La Palferine's genius before you in all its vivacity and completeness. He realizes Pascal's /entre-deux/, he comprehends the whole scale between tenderness and pitilessness, and, like Epaminondas, he is equally great in extremes. And not merely so, his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Love and Friendship by Jane Austen:

I am of her; but as she is too Polite and I am too civil to say so, our letters are still as frequent and affectionate as ever, and our Attachment as firm and sincere as when it first commenced. As she had a great taste for the pleasures of London, and of Brighthelmstone, she will I dare say find some difficulty in prevailing on herself even to satisfy the curiosity I dare say she feels of beholding you, at the expence of quitting those favourite haunts of Dissipation, for the melancholy tho' venerable gloom of the castle you inhabit. Perhaps however if she finds her health impaired by too much amusement, she may acquire fortitude sufficient to undertake a Journey to Scotland in the


Love and Friendship