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Today's Stichomancy for Robert Oppenheimer

The first excerpt represents the past or something you must release, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

Thus for a time the rupture between De Montfort and his king was healed, and although the great noble- man was divested of his authority in Gascony he suf- fered little further oppression at the hands of his royal master.

CHAPTER IV

AS De Vac drew his sword from the heart of the Lady Maud he winced, for, merciless though he was, he had shrunk from this cruel task. Too far he had gone, how- ever, to back down now, and, had he left the Lady Maud alive, the whole of the palace guard and all the


The Outlaw of Torn
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and Peace by Leo Tolstoy:

where he gave his hand to the plague-stricken; but... but there are other acts which it is difficult to justify."

Prince Andrew, who had evidently wished to tone down the awkwardness of Pierre's remarks, rose and made a sign to his wife that it was time to go.

Suddenly Prince Hippolyte started up making signs to everyone to attend, and asking them all to be seated began:

"I was told a charming Moscow story today and must treat you to it. Excuse me, Vicomte- I must tell it in Russian or the point will be lost...." And Prince Hippolyte began to tell his story in such Russian as a Frenchman would speak after spending about a year in Russia.


War and Peace
The third excerpt represents the future or something you must embrace, and is drawn from Where There's A Will by Mary Roberts Rinehart:

goods. What would you say to a shooting-gallery in the basement, under the reading-room?"

"Fine!" I said, with sarcasm, turning my slippers. "If things got too quiet that would wake them up a bit, and we could have a balloon ascension on Saturdays!"

"Not an ascension," said he, with my bitterness going right over his head. "Nothing sensational, Minnie. That's the way with women; they're always theatrical. But what's the matter with a captive balloon, and letting fresh-air cranks sleep in a big basket bed--say, at five hundred feet? Or a thousand--a thousand would be better. The air's purer."