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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lay Morals by Robert Louis Stevenson:

borders. There is a sad absence of striking argument or real lively discussion. Indeed, you feel a growing contempt for your fellow-members; and it is not until you rise yourself to hawk and hesitate and sit shamefully down again, amid eleemosynary applause, that you begin to find your level and value others rightly. Even then, even when failure has damped your critical ardour, you will see many things to be laughed at in the deportment of your rivals.

Most laughable, perhaps, are your indefatigable strivers after eloquence. They are of those who 'pursue with eagerness the phantoms of hope,' and who, since they expect

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

when Bradley saw the other's danger, he too stopped and wheeling about sent a bullet into the massive body forcing its way through the trees toward him. The shot struck the creature in the belly where there was no protecting armor, eliciting a new note which rose in a shrill whistle and ended in a wail. It was then that Tippet appeared to come out of his trance, for with a cry of terror he turned and fled to the left. Bradley, seeing that he had as good an opportunity as the others to escape, now turned his attention to extricating himself; and as the woods seemed dense on the right, he ran in that direction, hoping that the close-set boles would prevent pursuit on the part of the great reptile.


Out of Time's Abyss
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Amy Foster by Joseph Conrad:

the half-open door left open of some cottage. He had a big, hearty laugh that would have fitted a man twice his size, a brisk manner, a bronzed face, and a pair of grey, profoundly attentive eyes. He had the talent of making people talk to him freely, and an inexhaustible patience in listening to their tales.

One day, as we trotted out of a large village into a shady bit of road, I saw on our left hand a low, black cottage, with diamond panes in the windows, a creeper on the end wall, a roof of shingle, and


Amy Foster
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

Pilgrim's Progress. There was a crowd about the house as if huge bees were swarming in the lilac bushes. Beyond the fields and cove a higher point of land ran out into the bay, covered with woods which must have kept away much of the northwest wind in winter. Now there was a pleasant look of shade and shelter there for the great family meeting.

We hurried on our way, beginning to feel as if we were very late, and it was a great satisfaction at last to turn out of the stony highroad into a green lane shaded with old apple-trees. Mrs. Todd encouraged the horse until he fairly pranced with gayety as we drove round to the front of the house on the soft turf. There was