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Today's Stichomancy for Robin Williams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Love and Friendship by Jane Austen:

Departure, entered the Room in search of me. No sooner had she caught the eye of the venerable Peer, than he exclaimed with every mark of Astonishment --"Another Grandaughter! Yes, yes, I see you are the Daughter of my Laurina's eldest Girl; your resemblance to the beauteous Matilda sufficiently proclaims it. "Oh!" replied Sophia, "when I first beheld you the instinct of Nature whispered me that we were in some degree related--But whether Grandfathers, or Grandmothers, I could not pretend to determine." He folded her in his arms, and whilst they were tenderly embracing, the Door of the Apartment opened and a most beautifull young Man appeared. On perceiving him Lord St. Clair

Love and Friendship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

spiritual drama of that early Middle Age; very sad, morbid if you will, but true to fact. The Lady Verena ought not, perhaps, to desert her husband, and shut herself up in a cloister. But so she would have done in those old days. And who shall judge her harshly for so doing? When the brutality of the man seems past all cure, who shall blame the woman if she glides away into some atmosphere of peace and purity, to pray for him whom neither warnings nor caresses will amend? It is a sad book, "Sintram." And yet not too sad. For they were a sad people, those old Norse forefathers of ours. Their Christianity was sad; their minsters sad; there are few sadder, though few grander, buildings than a Norman church.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Far From the Madding Crowd by Thomas Hardy:

all the way round with small diamonds, and from its appearance had evidently been recently purchased. Boldwood's eyes dwelt upon its many sparkles a long time, though that its material aspect concerned him little was plain from his manner and mien, which were those of a mind following out the presumed thread of that jewel's future history. The noise of wheels at the front of the house became audible. Boldwood closed the box, stowed it away carefully in his pocket, and went out upon the landing. The old man who was his indoor factotum came at the

Far From the Madding Crowd
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad:

up against a wall, half doubled up. In that attitude the captain found him, when he came out, pulling the door to after him quickly. At once Anthony let his eyes run all over the cabin. Powell, without a word, clutched his forearm, led him round the end of the table and began to justify himself. "I couldn't stop him," he whispered shakily. "He was too quick for me. He drank it up and fell down." But the captain was not listening. He was looking down at Mr. Smith, thinking perhaps that it was a mere chance his own body was not lying there. They did not want to speak. They made signs to each other with their eyes. The captain grasped Powell's shoulder as if in a vice and glanced at Mrs. Anthony's cabin door,