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Today's Stichomancy for Robin Williams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Reef by Edith Wharton:

worshipped was inseparable from the Darrow she abhorred; and the inevitable conclusion was that both must go, and she be left in the desert of a sorrow without memories...

But if the future was thus void, the present was all too full. Never had blow more complex repercussions; and to remember Owen was to cease to think of herself. What impulse, what apprehension, had sent him suddenly to Paris? And why had he thought it needful to conceal his going from her? When Sophy Viner had left, it had been with the understanding that he was to await her summons; and it seemed improbable that he would break his pledge, and seek

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

her so strongly, for in former days she had perhaps been too impersonally human to be distinctively feminine. After an unprecedented success one day she came indoors, went upstairs, and leant upon her bed face downwards quite forgetting the possible creasing and damage. "Good Heaven," she whispered, "can it be? Here am I setting up as the town beauty!"

When she had thought it over, her usual fear of exaggerating appearances engendered a deep sadness. "There is something wrong in all this," she mused. "If they only knew what an unfinished girl I am--that I can't talk Italian, or use


The Mayor of Casterbridge
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Aspern Papers by Henry James:

to get her aunt immediately back to bed. I confess that in spite of this urgency I was guilty of the indiscretion of lingering; it held me there to think that I was nearer the documents I coveted-- that they were probably put away somewhere in the faded, unsociable room. The place had indeed a bareness which did not suggest hidden treasures; there were no dusky nooks nor curtained corners, no massive cabinets nor chests with iron bands. Moreover it was possible, it was perhaps even probable that the old lady had consigned her relics to her bedroom, to some battered box that was shoved under the bed, to the drawer of some lame dressing table, where they would be in the range of vision by the dim night lamp. Nonetheless I scrutinized every article of furniture,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

lapse of centuries, might have exercised upon the other--it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the "House of Usher"--an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion.

I have said that the sole effect of my somewhat childish experiment--that of looking down within the tarn--had been to deepen the first singular impression. There can be no doubt that


The Fall of the House of Usher