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Today's Stichomancy for Robin Williams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

Scenes from a Courtesan's Life

Maufrigneuse, Duchesse de Modeste Mignon Jealousies of a Country Town The Muse of the Department Scenes from a Courtesan's Life Letters of Two Brides Another Study of Woman The Gondreville Mystery The Member for Arcis

Maufrigneuse, Georges de

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft:

Advertiser; these things, and the lore he had picked up from Dunwich rustics and villagers during his one visit there. Unseen things not of earth - or at least not of tridimensional earth - rushed foetid and horrible through New England's glens, and brooded obscenely on the mountain tops. Of this he had long felt certain. Now he seemed to sense the close presence of some terrible part of the intruding horror, and to glimpse a hellish advance in the black dominion of the ancient and once passive nightmare. He locked away the Necronomicon with a shudder of disgust, but the room still reeked with an unholy and unidentifiable stench. 'As a foulness shall ye know them,' he quoted. Yes - the odour was the same as

The Dunwich Horror
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mansion by Henry van Dyke:

paralyzed woman who had lain for thirty years upon her bed, helpless but not hopeless, succeeding by a miracle of courage in her single aim, never to complain, but always to impart a bit of joy and peace to

every one who came near her. All these, and other persons like them, people of little consideration in the world, but now seemingly all full of great contentment and an inward gladness that made their steps light,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Daughter of Eve by Honore de Balzac:

return, Nathan had led the most regular of lives under her very nose. Never did she imagine that that portfolio, which she hardly glanced at as it lay there unconcealed, contained the letters of a rival, treasures of admiring love which the countess addressed, at Raoul's request, to the office of his newspaper.

Nathan's situation was, therefore, to all appearance, extremely brilliant. He had many friends. The two plays lately produced had succeeded well, and their proceeds supplied his personal wants and relieved him of all care for the future. His debt to du Tillet, "his friend," did not make him in the least uneasy.

"Why distrust a friend?" he said to Blondet, who from time to time