| The first excerpt represents the past or something you must release, and is drawn from Daisy Miller by Henry James: and laughing very agreeably; Winterbourne thought it a most unpleasant scene.
"I don't think I want to know what you mean," said Daisy presently.
"I don't think I should like it."
Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive
away, but this lady did not enjoy being defied, as she afterward told him.
"Should you prefer being thought a very reckless girl?" she demanded.
"Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli,
then she turned to Winterbourne. There was a little pink flush in
her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"
she asked slowly, smiling, throwing back her head, and glancing
at him from head to foot, "that, to save my reputation, I ought
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from I Have A Dream by Martin Luther King, Jr.: This speech has been through years of court cases to determine,
in various jurisdictions, whether it was ever copyrighted, and
the United States court system recently laid down their rulings
that this speech had never been copyrighted, since at that time
it was required to post a copyright notice on printed copies to
be distributed, and this speech was distributed without such an
extra (C) Copyright notice as was then required in the US. The
US revised this law in 1989, an no longer requires such notice.
#STARTMARK#
I have a Dream
by Martin Luther King, Jr.
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The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: about literature and things of the spirit generally. He always came
to my desk at the Museum and spoke to me about something or other, no
doubt finding that people who were keen on this sort of conversation
were rather scarce. He remains a vivid spot of memory in the void of
my forgetfulness, a quite considerable and dignified soul in a
grotesquely disfigured body.
Frank Harris
To the review in the Pall Mall Gazette I attribute, rightly or
wrongly, the introduction of Mary Fitton to Mr Frank Harris. My
reason for this is that Mr Harris wrote a play about Shakespear and
Mary Fitton; and when I, as a pious duty to Tyler's ghost, reminded
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