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Today's Stichomancy for Roman Polanski

The first excerpt represents the past or something you must release, and is drawn from The Black Tulip by Alexandre Dumas:

to apprise the President of the Haarlem Society. He will cause the color of the flower to be proved before a committee and these hundred thousand guilders will be paid to you."

Rosa heaved a deep sigh.

"And now," continued Cornelius, -- wiping away a tear which was glistening in his eye, and which was shed much more for that marvellous black tulip which he was not to see than for the life which he was about to lose, -- "I have no wish left, except that the tulip should be called Rosa Barlaensis, that is to say, that its name should combine


The Black Tulip
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Last War: A World Set Free by H. G. Wells:

calendars that had hitherto confused chronology. The year was divided into thirteen months of four weeks each, and New Year's Day and Leap Year's Day were made holidays, and did not count at all in the ordinary week. So the weeks and the months were brought into correspondence. And moreover, as the king put it to Firmin, it was decided to 'nail down Easter.' . . . In these matters, as in so many matters, the new civilisation came as a simplification of ancient complications; the history of the calendar throughout the world is a history of inadequate adjustments, of attempts to fix seed-time and midwinter that go back into the very beginning of human society; and this final


The Last War: A World Set Free
The third excerpt represents the future or something you must embrace, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

main, and only winced and flirted a trifle till I got hold of the bridle - but then, I must see him in the saddle.

'Here, you fellow - scoundrel - dog - give me your hand, and I'll help you to mount.'

No; he turned from me in disgust. I attempted to take him by the arm. He shrank away as if there had been contamination in my touch.

'What, you won't! Well! you may sit there till doomsday, for what I care. But I suppose you don't want to lose all the blood in your body - I'll just condescend to bind that up for you.'

'Let me alone, if you please.'


The Tenant of Wildfell Hall